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Books : Literature & Fiction : Authors, A-Z : ( M ) : Mishima, Yukio
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The first novel of Mishima's landmark tetralogy, The Sea of fertility
Spring Snow is set in Tokyo in 1912, when the hermetic world of the ancient aristocracy is being breached for the first time by outsiders -- rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power.
Among this rising new elite are the ambitious Matsugae, whose son has been raised in a family of the waning aristocracy, the elegant and attenuated Ayakura. Coming of age, he is caught up in the tensions between old and new -- fiercely loving and hating the exquisite, spirited Ayakura Satoko. He suffers in psychic paralysis until the shock of her engagement to a royal prince shows him the magnitude of his passion, and leads to a love affair that is as doomed as it was inevitable.
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Set in a remote fishing village in Japan, The Sound of Waves is a timeless story of first love. A young fisherman is entranced at the sight of the beautiful daughter of the wealthiest man in the village. They fall in love, but must then endure the calumny and gossip of the villagers.
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The chronicle of a conspiracy and a novel about the roots and nature of Japanese fanaticism in the years that led to war--an era marked by depression, social change and political violence.
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The story of a man called Honda's obsessive pursuit of a beautiful young Thai princess, and an equally passionate search for enlightenment that takes him to India. It dramatizes the Japanese experience from the eve of World War II through the postwar era. One of the "Sea of Fertility" cycle.
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(Book Jacket Status: Jacketed)
In The Temple of the Golden Pavilion, celebrated Japanese novelist Yukio Mishima creates a haunting portrait of a young man’s obsession with idealized beauty and his destructive quest to possess it fully.
Mizoguchi, an ostracized stutterer, develops a childhood fascination with Kyoto’s famous Golden Temple. While an acolyte at the temple, he fixates on the structure’s aesthetic perfection and it becomes his one and only object of desire. But as Mizoguchi begins to perceive flaws in the temple, he determines that the only true path to beauty lies in an act of horrific violence. Based on a real incident that occurred in 1950, The Temple of the Golden Pavilion brilliantly portrays the passions and agonies of a young man in postwar Japan, bringing to the subject the erotic imagination and instinct for the dramatic moment that marked Mishima as one of the towering makers of modern fiction.
Introduction by Donald Keene; Translated from the Japanese by Ivan Morris
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The dramatic climax of the SEA OF FERTILITY, bringing together the dominant themes of the three previous novels; the decay of Japan's courtly tradition and samurai ideal, and the essence and value of Buddhist philosophy.
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Recognized throughout the world for his brilliance as a novelist and playwright, Yukio Mishima is also noted as a master of the short story in his native Japan. Here nine of his finest stories, selected by Mishima himself, represent his extraordinary ability to depict a wide variety of human beings in moments of significance. Often his characters are modern Japanese who turn out to be not so liberated from the past as they had thought.
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Acclaimed Japanese novelist Yukio Mishima (1925--1970) was also a prolific playwright, penning more than sixty plays, nearly all of which were produced in his lifetime. Hiroaki Sato is the first to translate these plays into English. For this collection he has selected five major plays and three essays Mishima wrote about drama. The title play is a satire that follows the breakdown of friendship between Adolf Hitler and two Nazi officials who were ultimately assassinated under orders from Hitler.
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From Japan's first Nobel laureate for literature, three superb stories exploring the interplay between erotic fantasy and reality in a loner's mind."He was not to do anything in bad taste, the woman of the house warned old Eguchi. He was not to put his finger into the mouth of the sleeping girl, or try anything else of that sort." With his promise to abide by the rules, Eguchi begins his life as a member of a secret club for elderly gentlemen who have lost their sexual powers. At an inn several hours from Tokyo they indulge in their last pleasure: lying with beautiful young girls who are sleeping nude when the men arrive. As "House of the Sleeping Beauties" unfolds in Kawabata's subtle prose, the horrified reader comes to see that the sexual excitement is a result not of rejuvenescence, but of a flirtation with death.
The three stories presented in this volume all center upon a lonely protagonist and his peculiar eroticism. In each, the author explores the interplay of fantasy and reality at work on a mind in solitude--in "House of the Sleeping Beauties," the elderly Eguchi and his clandestine trips to his club; in "One Arm," the bizarre dialogue of a man with the arm of a young girl; in "Of Birds and Beasts," a middle-aged man's memories of an affair with a dancer mingled with glimpses of his abnormal attachment to his pets.
All of these stories appear in English for the first time outside of Japan. "Of Birds and Beasts," written in the early 1930's, is one of Kawabata's earlier works, while "One Arm" and "House of the Sleeping Beauties," the latter hailed by novelist Yukio Mishima as the best of Kawabata's works, are among his later works.
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In this fascinating document, one of Japan's best known-and controversial-writers created what might be termed a new literary form. It is new because it combines elements of many existing types of writing, yet in the end fits into none of them.
At one level, it may be read as an account of how a puny, bookish boy discovered the importance of his own physical being; the "sun and steel" of the title are themselves symbols respectively of the cult of the open air and the weights used in bodybuilding. At another level, it is a discussion by a major novelist of the relation between action and art, and his own highly polished art in particular. More personally, it is an account of one individual's search for identity and self-integration. Or again, the work could be seen as a demonstration of how an intensely individual preoccupation can be developed into a profound philosophy of life.
All these elements are woven together by Mishima's complex yet polished and supple style. The confession and the self-analysis, the philosophy and the poetry combine in the end to create something that is in itself perfect and self-sufficient. It is a piece of literature that is as carefully fashioned as Mishima's novels, and at the same time provides an indispensable key to the understanding of them as art.
The road Mishima took to salvation is a highly personal one. Yet here, ultimately, one detects the unmistakable tones of a self transcending the particular and attaining to a poetic vision of the universal. The book is therefore a moving document, and is highly significant as a pointer to the future development of one of the most interesting novelists of modern times.
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My Mother is a unique bildungsroman of a young man's sexual initiation and corruption by his mother.?Publishers Weekly
My Mother, Madame Edwarda and The Dead Man comprises three short pieces of erotic prose that fuse elements of sex and spirituality in a highly personal vision of the flesh. They present a world of sensation in which only the vaulting demands of disruptive excess and the anguish of heightened awareness can combat the stultifying world of reason and social order. Each of the narratives contains a sense of intoxication and insanity so carefully delineated by the author that it seems to infect the reader.
Philosopher, novelist and critic, Georges Bataille is a major figure in twentieth-century literature whose startling and original ideas increasingly exert a vital influence on the shaping of thought, language and experience. Best known outside France for the vertiginous sexual delirium of his short novel, Story of the Eye, the vast scope of Bataille's interests and intellect made him a major force in many spheres.
Bataille's essays range over such diverse topics as economics, psychoanalysis, Marxism, yoga and anthropology. His critical essays, Literature and Evil and his complex meditations on the dark coupling of sex and death, Eroticism, are both available from Marion Boyars. Bataille's available fiction includes L'Abb C, a twisted document detailing the holy horrors of sex and Blue of Noon, now an established modern classic in its seventh printing.
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First published by Penguin Books in 1972, the reissue of this volume is long overdue. The book contains 37 examples of poetry and short stories by 18 acclaimed writers, including Oe Kenzaburo, Abe Kobo, Ishihara Shintaro and Mishima himself.
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When Mishima committed ritual suicide in November 1970, he was only forty-five. He had written over thirty novels, eighteen plays, and twenty volumes of short stories. During his lifetime, he was nominated for the Nobel Prize three times and had seen almost all of his major novels appear in English. While the flamboyance of his life and the apparent fanaticism of his death have dominated the public's perception of his achievement, Japanese and Western critics alike are in agreement that his literary gifts were prodigious.
Mishima is arguably at his best in the shorter forms, and it is the flower of these that appears here for the first time in English. Each story has its own distinctive atmosphere and each is brilliantly organized, yielding deeper layers of meaning with repeated readings. The psychological observation, particularly in what it reveals of the turmoil of adolescence, is meticulous.
The style, with its skillful blending of colors and surfaces, shows Mishima in top form, and no further proof is needed to remind us that he was a consummate writer whose work is an irreplaceable part of world literature.
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