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Books : Literature & Fiction : Authors, A-Z : ( O ) : O'Brien, Edna
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This short story collection draws a vivid portrait of Joyce's Dublin at the turn of the twentieth century, with rich imagery and characterization.
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The Country Girls Trilogy and Epilogue is an absolutely engaging saga that is, thematically, about opposites - opposite dispositions and opposite views of life, the survivor versus the ungovernable romantic. It charts unflinchingly the pattern of life, for women, from the high spirits of youth to the chill of middle age, from hope to despair. It is both painful and hilarious.
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Brimming with the lyricism and earthy insight that are the hallmarks of Edna O'Brien's acclaimed fiction, The Light of Evening is a novel of dreams and attachments, lamentations and betrayals. At its core is the realization that the bond between mother and child is unbreakable, stronger even than death.
From her hospital bed in Dublin, the ailing Dilly Macready eagerly awaits a visit from her long-estranged daughter, Eleanora. Years before, Eleanora fled Ireland for London when her sensual first novel caused a local scandal. Eleanora's peripatetic life since then has brought international fame but personal heartbreak in her failed quest for love. Always, her mother beseeches her to return home, sending letters that are priceless in their mix of love, guilt, and recrimination. For all her disapproval, Dilly herself knows something of Eleanora's need for freedom: as a young woman in the 1920s, Dilly left Ireland for a new life in New York City. O'Brien's marvelous cinematic portrait of New York in that era is a tour de force, filled with the clang and clatter of the city, the camaraderie of working girls against their callous employers, and their fierce competition over handsome young men. But a lover's betrayal sent Dilly reeling back to Ireland to raise a family on a lovely old farm named Rusheen. It is Rusheen that still holds mother and daughter together.
Eleanora's visit to her mother's sickbed does not prove to be the glad reunion that Dilly prayed for. And in her hasty departure, Eleanora leaves behind a secret journal of their stormy relationship -- a revelation that brings the novel to a shocking close.
The Light of Evening is a contemporary story with universal resonance. In this beautiful and moving new novel, Edna O'Brien delves deep into the intense relationship that exists between a mother and daughter who long for closeness yet remain eternally at odds.
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Includes three plays by one of Ireland's greatest playwrights--In the Shadow of the Glen, Riders to the Sea, and The Playboy of the Western World--which present realistic characters and rich Irish dialect.
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Girls in Their Married Bliss continues the tale of Kate and Baba, two ambitious Irish country girls in search of life. Romantic Kate seeks love, while pragmatic Baba will take whatever she can get. Together they set out to conquer Dublin and the world. Under the big city's bright lights, they spin their lives into a whirl of comic and touching misadventures, wild flirtations, and reckless passions. But love changes everything. And as their lives take unexpected and separate turns, Baba and Kate must ultimately learn to go it alone.
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Edna O'Brien's classic novel NIGHT takes us through one long, sleepless night with Mary Hooligan. From the center of her bed, "a four poster no less," Mary recalls her fertile past, from her childhood in the Irish countryside to the love affairs she has confronted since leaving for English shores. Wistful, wanton, this erotic reverie shows O'Brien to be one of the foremost heirs to modernism. "Very few writers use language as richly and sensuously . . . There are passages here worthy of Joyce" (Library Journal).
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In these selections from twenty years of her best short fiction, Edna O’Brien pulls the reader into a woman’s experience. Her stories portray a young Irish girl’s view of obsessive love and its often wrenching pain, while tales of contemporary life show women who open themselves to sexuality, to disappointment, to madness. Throughout, there is always O’Brien’s voice—wondrous, despairing, moving—examining passionate subjects that lay bare the desire and needs that can be hidden in a woman’s heart.
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Meet Kate and Baba, two young Irish country girls who have spent their childhood together. As they leave the safety of their convent school in search of life and love in the big city, they struggle to maintain their somewhat tumultuous relationship. Kate, dreamy and romantic, yearns for true love, while Baba just wants to experience the life of a single girl. Although they set out to conquer the world together, as their lives take unexpected turns, Kate and Baba must ultimately learn to find their own way.
"It's a difficult trip, this coming of age . . . O'Brien tells it with love and outrage, compassion and contempt." (Los Angeles Times Book Review)
"A treasure . . . powerful . . . intelligent . . . ironic." (The New York Times Book Review)
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The New York Times Book Review hailed The Country Girls, the first book in Edna O'Brien's critically acclaimed trilogy, as "Powerful. Intelligent. Ironic. A treasure."
The Lonely Girl continues the story of childhood friends Kate and Baba, now both twenty-one, as they navigate the rocky, sometimes treacherous pathways of urban life. With hearts as big as Dublin, and hopes as bright as new pennies, they move bravely and eagerly toward the future. Yet the two couldn't be more different. Kate toils in a grocery shop and lives out her romantic fantasies in books. Baba entertains more earthbound dreams. Their principles-and friendship-are tested when Kate meets a dashing married man, and discovers the exhilaration of passion...and the consequences of falling in love.
A novel that combines the teeming ethos of big-city life with the ambitions and yearnings of two emerging young women, The Lonely Girl is a stellar achievement from one of Ireland's finest storytellers.
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This richly peopled, compellingly readable book explores woman in her many roles -- as mystic, mother, daughter and lover. There is Iris with her "winsome wonsome" ways, no longer young; there is Charlotte, the legendary and troubled debutante who has fled from society; and there is the narrator, Anna, who feels that her emotional life has folded until she meets the young Spanish girl, Catalina.
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A PAGAN PLACE is Edna O'Brien's true novel of Ireland. Here she returns to that uniquely wonderful, terrible, peculiar place she once called home and writes not only of a life there--of the child becoming a woman--but of the Irish experience out of which that life arises--perhaps more pointedly than in any of her other works. This is the Ireland of country villages and barley fields, of druids in the woods, of unknown babies in the womb, of mischievous girls and Tans with guns. Ireland has marked Edna O'Brien's life and work with unmistakable color and depth, and here she recreates her homeland with a singular grace and intensity.
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