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Books : Literature & Fiction : Authors, A-Z : ( O ) : O'Brien, Geoffrey
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Just as BARTLETT'S FAMILIAR QUOTATIONS is the volume everyone reaches for when seeking an elusive citation, BARTLETT'S POEMS FOR OCCASIONS is the ultimate resource for finding the poem that will hit just the right note for that special family milestone, public address, or private moment of contemplation. What poems do you read when a country has gone to war? To mark the beginning of a new career or the end of an old one? To celebrate a new love or console a grieving and bereft family? Organised in three parts - the Cycles of Nature, the Phases of Human Life and the Enduring Themes - the book is the perfect vehicle to translate the wisdom and expression of the greatest works of poetry into our everyday experience. Among the many poets included here are Charles Baudelaire, William Blake, Catullus, Emily Dickinson, Goethe, Ogden Nash, Li Po, Sappho, Shakespeare, Dylan Thomas, Edith Wharton and others.
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Red Sky Café contains postcards and poem-cards, a fistful of sonnets, a cento and a lipogram, a Greek myth retold by its regretful hero, a dance number from a lost Betty Grable musical. It mixes songs, narrative episodes, previews of coming attractions, and television programs glimpsed through the window of a neighbor's apartment.
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many stories piled on top of one another, palimpsests of memories, histories
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ghosts from a narrative imagined in childhood find their home in the Hudson Valley
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In A View of Buildings and Water Geoffrey O'Brien collects poetry from the last half-decade, among them poems that first appeared in such magazines as Talisman, The Germ, The Literary Review, and New American Writing, and including a number of long sequences that have not appeared anywhere in their complete form. These poems extend a concern with mapping the geographies of dream, fantasy, and intuited history, and with finding a music that might realize those spaces in a flexible, responsive measure. In form the poems range from a monologue from an unmade film noir to a sonic sculpture where sense is made to follow where sounds lead. In "Heads in Limbo" a varied cast of characters is epitomized in a series of epitaph-like three-line poems. Central to the book is a cycle of five poems exploring the stages of grief against a shifting background of terrains both real and phantasmagoric. The book's narratives-slippery, splintered, referring back to lost earlier chronicles-take their form from the mythmaking of ordinary life, the stories partly found and partly invented out of which we try to forge a connection to what has vanished and what has not yet arrived.
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"astounding, all-embracing erudition" John Ashbery
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