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Books : Literature & Fiction : Authors, A-Z : ( O ) : Oates, Joyce Carol
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Two of Conrad’s BEST-KNOWN works—in a single volume
In this pair of literary voyages into the inner self, Joseph Conrad has written two of the most chilling, disturbing, and noteworthy pieces of fiction of the twentieth century.
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Fleeing Nazi Germany in 1936, the Schwarts immigrate to a small town in upstate New York. Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly American triumph.
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Originally published in 1854, Walden, or Life in the Woods, is a vivid account of the time that Henry D. Thoreau lived alone in a secluded cabin at Walden Pond. It is one of the most influential and compelling books in American literature.This new paperback edition--introduced by noted American writer John Updike--celebrates the 150th anniversary of this classic work. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces as "Reading" and "The Pond in the Winter." Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden--as close to Thoreau's original intention as all available evidence allows.
For the student and for the general reader, this is the ideal presentation of Thoreau's great document of social criticism and dissent.
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Orphaned Jane Eyre endures an unhappy childhood, hated by her aunt and cousins and then sent to comfortless Lowood School. But life there improves and Jane stays on as a teacher, though she still longs for love and friendship. At Mr. Rochester's house, where she goes to work as a governess, she hopes she might have found them - until she learns the terrible secret of the attic.
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Edgar Allan Poe, Emily Dickinson, Samuel Clemens ("Mark Twain"), Henry James, Ernest Hemingway—Joyce Carol Oates evokes each of these American literary icons in her newest work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is "genius"—for Edgar Allan Poe, a belated encounter with bizarre life‑forms utterly alien to the poet's exalted Romantic aesthetics; for Emily Dickinson, resurrected in the twenty-first century in a "distilled" state, a belated encounter with blundering humanity and brute passion of a kind excluded from the poet's verse; for the elderly, renowned Samuel Clemens, a belated encounter with impassioned innocence, in the form of "the little girl who loves you"; for Henry James, an aging volunteer in a London hospital during World War I, a belated encounter with the physicality of desire and the raw yearning of love long absent from the master's fiction; and, for Ernest Hemingway, the most tragic of these figures, a belated encounter with the "profound mysteries of the world outside him, and the profound mysteries of the world inside him."
Wild Nights! is Joyce Carol Oates's most original and haunting work of the imagination, a writer's memoirist work in the form of fiction.
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New York Times bestselling author of The Falls, Blonde, and We Were the Mulvaneys, Joyce Carol Oates returns with a dark, wry, satirical tale—inspired by an unsolved American true-crime mystery.
"Dysfunctional families are all alike. Ditto 'survivors.'"
So begins the unexpurgated first-person narrative of nineteen-year-old Skyler Rampike, the only surviving child of an "infamous" American family. A decade ago the Rampikes were destroyed by the murder of Skyler's six-year-old ice-skating champion sister, Bliss, and the media scrutiny that followed. Part investigation into the unsolved murder; part elegy for the lost Bliss and for Skyler's own lost childhood; and part corrosively funny exposé of the pretensions of upper-middle-class American suburbia, this captivating novel explores with unexpected sympathy and subtlety the intimate lives of those who dwell in Tabloid Hell.
Likely to be Joyce Carol Oates's most controversial novel to date, as well as her most boldly satirical, this unconventional work of fiction is sure to be recognized as a classic exploration of the tragic interface between private life and the perilous life of "celebrity." In My Sister, My Love: The Intimate Story of Skyler Rampike, the incomparable Oates once again mines the depths of the sinister yet comic malaise at the heart of our contemporary culture.
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"How ironic," Joyce Carol Oates writes in her introduction to this marvelous collection, "that in our age of rapid mass-production and the easy proliferation of consumer products, the richness and diversity of the American literary imagination should be so misrepresented in most anthologies." Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? "Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected?"
In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many "different, unexpected" gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's "Rip Van Winkle," Poe's "The Tell-Tale Heart," and Hemingway's "A Clean, Well-Lighted Place." But alongside these classics, Oates introduces such little-known stories as Mark Twain's "Cannibalism in the Cars," a story that reveals a darker side to his humor ("That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy"). From Melville come the juxtaposed tales "The Paradise of Bachelors and the Tartarus of Maids," of which Oates says, "Only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction." From Flannery O'Connor we find "A Late Encounter With the Enemy," and from John Cheever, "The Death of Justina," one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master.
This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern writer.
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With an Introduction by Joyce Carol Oates
foreword by the author
Commentary by Carl van Doren, Rebecca West,
Aldous Huxley, and Henry Miller
It is . . . the world of the poets and the preponderance of the poet in [Lawrence] that is the key to his work. He magnified and deepened experience in the manner of a poet," wrote Anaïs Nin in 1934.
Privately printed in 1920 and published commercially in 1921, Women in Love is the novel Lawrence himself considered his masterpiece. Set in the English Midlands, the novel traces the lives of two sisters, Ursula and Gudrun, and the men with whom they fall in love. All four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. Commenting on the novel, which was composed in the midst of the First World War in 1916, Lawrence wrote, "The bitterness of the war may be taken for granted in the characters." Rich in symbolism and lyrical prose, Women in Love is a complex meditation on the meaning of love in the modern world.
To the critic Alfred Kazin, "No other writer of [Lawrence's] imaginative standing has in our time written books that are so open to life."
D. H. LAWRENCE (1885-1930), the son of a coal miner and a lace worker, completed his formal studies at University College, Nottingham, in 1908 and began teaching at a boys' school. By 1912, he had abandoned teaching to write full-time. His novels include The White Peacock (1911), The Trespasser (1912), Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), The Plumed Serpent (1926), and Lady Chatterley's Lover (1928), which was banned as pornographic in England until 1960.
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It is 1950 and, after a disastrous honeymoon night, Ariah Erskine's young husband throws himself into the roaring waters of Niagara Falls. Ariah, "the Widow Bride of the Falls," begins a relentless seven-day vigil in the mist, waiting for his body to be found. At her side is confirmed bachelor and pillar of the community Dirk Burnaby, who is unexpectedly drawn to this plain, strange woman. What follows is a passionate love affair, marriage, and family—a seemingly perfect existence. But the tragedy by which they were thrown together begins to shadow them, damaging their idyll with distrust, greed, and even murder.
Set against the mythic-historic backdrop of Niagara Falls in the mid-twentieth century, this haunting exploration of the American family in crisis is a stunning achievement from "one of the great artistic forces of our time" (The Nation).
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Featured in this volume are "Billy Budd", Melville's posthumously published novella, the story of the rivalry between a handsome sailor and his demonic captain; the tale of the apathetic "Bartleby, the Scrivener; " the riveting "Benito Cereno", the story of a slave ship mutiny written at the time of the Amistad case and "The Town-Ho's Story", a chapter from Melville's masterpiece, "Moby Dick". Introduction by Joyce Carol Oates.
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A definitive collection of the very best short stories by contemporary American masters
Edited by Joyce Carol Oates, "the living master of the short story" (Buffalo News), and Christopher R. Beha, this volume provides an important overview of the contemporary short story and a selection of the very best that American short fiction has to offer.
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Five teenage girls from upstate New York in the 1950s form a blood sisterhood to protect one another against the world and its oppressors, until their leader's disastrous act of revenge puts all their lives in turmoil. Reprint. NYT.
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last time
Last time you see someone and you don't
know it will be the last time. And all that
you know now, if only you'd known then.
But you didn't know, and now it's too late.
And you tell yourself How could I have
known, I could not have known.You tell yourself.
This is my story of missing my mother. One
day, in a way unique to you, it will be your
story, too.From Joyce Carol Oates comes this candid, intimate, engaging, and personal new novel.
Nikki Eaton, single, thirty-one, sexually liberated, and economically self-supporting, has never particularly thought of herself as a daughter. Yet, following the unexpected loss of her mother, she undergoes a remarkable transformation during a tumultuous year that brings stunning horror, sorrow, illumination, wisdom, and even—from an unexpected source—a nurturing love.
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Flattered by the attentions of a senator she meets at a Fourth of July beach party on Grayling Island, Kelly Kelleher accepts a ride from him, taking a first step toward her final confrontation with death. Simultaneous.
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Joyce Carol Oates’s Wonderland Quartet comprises four remarkable novels that explore social class in America and the inner lives of young Americans. As powerful and relevant today as it on its initial publication, them chronicles the tumultuous lives of a family living on the edge of ruin in the Detroit slums, from the 1930s to the 1967 race riots. Praised by The Nation for her “potent, life-gripping imagination,” Oates traces the aspirations and struggles of Loretta Wendall, a dreamy young mother who is filled with regret by the age of sixteen, and the subsequent destinies of her children, Maureen and Jules, who must fight to survive in a world of violence and danger.
Winner of the National Book Award, them is an enthralling novel about love, class, race, and the inhumanity of urban life. It is, raves The New York Times, “a superbly accomplished vision.”
Them is the third novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, Expensive People, and Wonderland, are also available from the Modern Library.