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Books : Literature & Fiction : Authors, A-Z : ( P ) : Paley, Grace
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This reissue of Grace Paley’s classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again. Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.
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In this collection of short stories, originally published in 1974, Grace Paley "makes the novel as a form seem virtually redundant" (Angela Carter, London Review of Books). Her stories here capture "the itch of the city, love between parents and children" and "the cutting edge of combat" (Lis Harris, The New York Times Book Review). In this collection of seventeen stories, she creates a "solid and vital fictional world, cross-referenced and dense with life" (Walter Clemons, Newsweek).
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After selling out of two successive print runs, Leora Skolkin-Smith's intoxicating novel about a young girl's personal and political discovery in 1960's Israel and Palestine is being re-released in a new edition by Glad Day Books. This new incarnation will include the author's afterword and dedication to her mentor Publisher and Editor of Glad Day Books with Robert Nichols, Grace Paley.ABOUT THE BOOK:
"Edges" is set in a pre-1967 Israel, during the Cold War. Characters are drawn from Israel's long-forgotten past, members of the 1940's Haganah and Jewish underground who find themselves displaced amidst the chaotic and complex tensions of an Israel just beginning to modernize and expand.
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There was a time when New York was everything to me: my mother, my mistress, my Mecca, when I could no more have wanted to live any place else than I could have conceived of myself as a daddy, disciplining my boy and dandling my daughter.
So begins "Nights in the Gardens of Brooklyn", which gives its title to Harvey Swados's collected stories. In this beautiful and heartbreaking novella, Swados describes a generation "aflame with romance and disillusion," in search of pleasures and answers, and shows how the demands of love and life temper its hopes and fears. It is a perennial story, told by Swados in straightforward and lyrical prose and with tremendous sympathy, and without doubt one of the most enduring achievements of postwar American fiction.
Harvey Swados's many splendid stories speak of work, friendship, and family. They are about the common world, as well as the final loneliness from which the common world cannot protect us. And yet Swados, as Richard Gilman has written, was above all concerned with "the breakthrough into true feeling, the attainment of moral dignity, and the linking up with others through compassion."
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Forty female writers discuss, in poem, story, and memory, the trials and tribulations of growing and maturing as a Jewish-American female in a unique anthology.
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Grace Paley's contribution to American literature, while comparatively small in volume, has been substantial in impact. With a voice very much her own, Paley has been a critical force in post-World War II American culture, particularly at its controversial centers. With The Little Disturbances of Man, Later the Same Day, and Enormous Changes at the Last Minute Paley attracted a significant and admiring following.
In this collection of interviews from 1978 to 1995 Paley elaborates on the many forces that have influenced her and her writing. In these conversations she reveals not only her triple lives as writer, mother, and political activist but also her perspectives which over the years have become precise and solid. With authority, distinctness, and relentless honesty she speaks out on contemporary issues. She discusses American conditions at large, particularly those that are being neglected or denied.
With firm authority Paley discusses topics of wide range, many of which she describes as personal discoveries. She includes politics and environmentalism, the family and human relationships, the impact of background and education, the moral importance of community, feminism and women's liberation, the sexual self and role enforcement, America's need for communality and women's creative response to it, the art of teaching, and the importance of friendship.
Paley's conversations, like her writings, are refreshingly candid and radically different from the contemporary American mainstream.
Gerhard Bach is a professor of English at Bremen University, Germany, and an adjunct professor of American Studies at Brigham Young University. Blaine Hall recently retired as English Language and Literature Librarian at Brigham Young University.
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Forgiving stories of women on the edge and in the middle. Ellen Chatfield grows up as part of the Make-Love-Not-War generation, teaches school in Puerto Rico, waitresses in the States, and never stops trying to figure out her personal politics and sexuality. Ellen's world clashes with other worlds -- those of go-go dancers and Maoists, seance participants and developmentally disabled singers -- but those clashes can often sound like an embrace.
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Food and Booze celebrates seven years of delicious writing culled from Tin House’s “Readable Feast” and “Blithe Spirit” departments. The pieces, contributed by some of the finest fiction and nonfiction writers working today, range from the humorous to the lyrical, recipes to rhapsodies, the historic to the personal, and from humble to haute cuisine. All share one common feature: the superb writing readers have come to expect from the magazine, the only literary journal with its own martini recipe.
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Here two writers married to each other employ dramatically different narrative styles and voices to write politically. Often seriocomic, Grace Paley's short fiction, including a previously uncollected New Yorker story, features characters "talking in their heads." Robert Nichols, a master of the macabre incident described in surreal terms, sets his new stories in rural Vermont and Third World countries.
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This first collaboration of two long-time feminist and antiwar activists is a wonderful melding of word and image that creates a powerful call for world peace. Paley's poems and short fiction and William's vivid watercolors depict the beauty and dignity of "ordinary" lives from El Salvador to the Bronx, from New Hampshire to Vietnam. Scenes and stories of domestic life, solitude, and nature are interspersed with heart-wrenching images of women widowed and children crippled by war and incarcerated by urban poverty, Here, too, are stories and paintings of protest, joyous and defiant.
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