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Books : Literature & Fiction : Authors, A-Z : ( P ) : Paz, Octavio
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Winner of the 1990 Nobel Prize for Literature and past recipient of the Jerusalem Prize, the Frankfurt Peace Prize, and the Neustadt Prize, Octavio Paz has written one of the most enduring and powerful works ever created on Mexico and its people, character, and culture. "Essential to an understanding of Mexico and, by extension, Latin America and the third world".--THE VILLAGE VOICE .
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tr Weinberger, w/Bishop, Blackburn, Levertov et al
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Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protégée. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.
Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.
Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.
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Paz's great poem, tr Eliot Weinberger, bilingual
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Sor Juana displays an extraordinary sweep of imagination and intelligence, and it is many things: a biography, a critical study, a re-creation of an era, a meditation of Mexican history, a dialogue of poet with poet, a reflection on the role of the intellectual in the modern world.
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Octavio Paz asks the question "what is poetry?" and responds by looking at the nature of a poem, analyzing its language, rhythm and image. He concludes by affirming that the poetic experience is unlike any other.
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A beautiful gift edition of Figures & Figurations: the collaboration between the Nobel Prize laureate Octavio Paz and his wife of thirty years, the artist Marie José Paz.
Figures & Figurations, one of the last works completed by the great late Mexican poet Octavio Paz before his death in 1998, is a stunning collaborative project with his wife, the acclaimed artist Marie José Paz. In response to ten of her collage-constructions, he wrote ten new short poems; she in turn created two new artworks in response to two of his earlier poems. In addition to the gorgeous full-color art, this bilingual edition features Eliot Weinberger's excellent translations, as well as an essay by Octavio Paz on Marie José Paz's work, "The Whitecaps of Time," in which he relates how her friendship with Joseph Cornell became a stimulus for her assemblages and how she was further spurred on by other friends, such as the linguist Roman Jakobson and Elizabeth Bishop. "These objects sometimes surprise us," he writes, "and sometimes make us dream or laugh (humor is one of the poles of her work). Signs that invite us on a motionless voyage of fantasy, bridges to the indefinitely small or galactic distances, windows that open on a nowhere. Marie José's art is a dialog between here and there." An illuminating afterword by the eminent French poet Yves Bonnefoy completes this edition.
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'Sor Juana with her intricate conceits, torrents of imagery and baroque opulence... inspires and challenges Trueblood to transform the Spanish verse forms into contemporary equivalents. He triumphs.' - Robert Taylor, Boston Globe.
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The renowned Mexican poet and critic Octavio Paz assembled this important anthology—the first of its kind in English translation—with a keen sense of what is both representative and universal in Mexican poetry. His informative introduction places the thirty-five selected poets within a literary and historical context that spans four centuries (1521-1910). This accomplished translation is the work of the young Samuel Beckett, just out of Trinity College, who had been awarded a grant by UNESCO to collaborate with Paz on the project.
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"This book is an exploration. By means of words, signs, drawings. Mescaline, the subject explored." In Miserable Miracle, the great French poet and artist Henri Michaux, a confirmed teetotaler, tells of his life-transforming first encounters with a powerful hallucinogenic drug. At once lacerating and weirdly funny, challenging and Chaplinesque, his book is a breathtaking vision of interior space and a piece of stunning writing wrested from the grip of the unspeakable.
Includes forty pages of black-and-white drawings.
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The speech delivered by Paz in acceptance of the 1990 Nobel Prize for Literature, in which he discusses gratitude, separateness, and modernity. Published in a handsome bilingual edition. Translated by Anthony Stanton.
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This collection of the work of Portuguese author Fernando Pessoa (1888–1935) is an essential introduction to the work of one of the most original European poets of the twentieth century. It includes translations of a broad selection of his poems and his extraordinary prose, as well as some of his original English writings. A major introductory essay by Octavio Paz, a critical anthology, two posthumous "interviews," and archived illustrations are also included, revealing the world of Pessoa in all its richness.
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from "Mutra" (1952) to recent Sanskrit adaptations