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Books : Literature & Fiction : Authors, A-Z : ( R ) : Roy, Arundhati
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In this collection of speeches and essays Arundhati Roy writes about the subjects dearest to her heart, subjects of interest to anyone interested in democracy, in global justice, and in the direction certain powerful agencies beyond our control are taking the world. Focusing largely on that intense period leading up to and beyond the attack on Iraq, Roy systematically deconstructs the US government's argument for going to war. She exposes the gaping errors in their thesis, the hypocrisy and false ideology behind the rhetoric that led to 42% of the American public believing that Saddam Hussein was directly responsible for the September 11th attacks on the World Trade Centre, and that a bombed, besieged and starved country such as Iraq was a direct threat to the safety of the mighty USA.
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John Berger, Naomi Klein, Arundhati Roy, Joe Sacco and others examine the consequences of the "War on Terror."
On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair's "War on Terror". Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion. Published in conjunction with Stop the War coalition and United for Peace and Justice, it provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.
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As the United States pushes for war on Iraq, Arundhati Roy, the internationally acclaimed author of The God of Small Things, addresses issues of democracy and dissent, racism and empire, and war and peace in this collection of new essays.
The eloquence, passion, and political insight of Roy's political essays have added legions of readers to those already familiar with her Booker Prize-winning novel. -Invited to lecture as part of the prestigious Lannan -Foundation series on the first anniversary of the unconscionable attacks of September 11, 2001, Roy challenged those who equate dissent with being "anti-American." Her previous essays on globalization and dissent have led many to see Roy as "India's most impassioned critic of globalization and American influence" (New York Times).
War Talk collects new essays by this prolific writer. Her work highlights the global rise of religious and racial violence. From the horrific pogroms against Muslims in Gujarat, India, to U.S. demands for a war on Iraq, Roy confronts the call to militarism. Desperately working against the backdrop of the nuclear recklessness between her homeland and Pakistan, she calls into question the equation of nation and ethnicity. And throughout her essays, Roy interrogates her own roles as "writer" and "activist."
"If [Roy] continues to upset the globalization applecart like a Tom Paine pamphleteer, she will either be greatly honored or thrown in jail," wrote Pawl Hawken in Wired Magazine. In fact she was jailed in March 2002, when -India's Supreme Court found Roy in contempt of the court after months of attempting to silence her criticism of the government.
Fully annotated versions of all Roy's most recent -essays, including her acclaimed Lannan Foundation -lecture from September 2002, are included in War Talk. Arundhati Roy is the winner of the Lannan Foundation's Prize for Cultural Freedom, 2002, and will be returning to the U.S. in association with the Lannan Foundation in 2003. Roy's most recent collection of essays, Power Politics, now in its second edition, sold over 25,000 copies in its first 12 months.
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Arundhati Roy -"India's most impassioned critic of globalization" (New York Times)-has expanded the compelling first edition of Power Politics with two new essays on the U.S. war on terrorism. A Book Sense 76 choice for November/December 2001 and Los Angeles Times "Discoveries" selection, Power Politics challenges the idea that only experts can speak out on such urgent matters as nuclear war, the privatization of India's power supply by U.S.-based energy companies, and the construction of monumental dams in India.
Arundhati Roy, the internationally acclaimed author of The God of Small Things, brings her keen novelist's eye to her analysis of the tragic events of September 11 and the military response, starting with the U.S. bombing of Afghanistan.
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As a novelist, Arundhati Roy is known for her lush language and intricate structure. As a political essayist, her prose is searching and fierce. All of these qualities shine through in the interviews collected by David Barsamian for The Chequebook and the Cruise Missile, recorded between 2001 and 2003. Whether discussing her childhood or the problems of translation in a multilingual society, Roy and Barsamian, the producer and host of Alternative Radio, engage in a lively and accessible manner. Speaking candidly and casually, Roy describes her participation in a demonstration against the Indian dam program as "absolutely fantastic". She jokes that her Supreme Court charge for "corrupting public morality" -- in the case of her novel The God of Small Things -- should have been changed to "further corrupting public morality." She calls on her training as an architect to explain what she means by the "physics of power". Like a house of cards, she argues that "unfettered power...cannot go berserk like this and expect to hold it all together." Roy has been acclaimed for her courage (Salman Rushdie) and her eloquence (Kirkus Reviews), and her writing has been described as "a banquet for the senses" (Newsweek). She has found a readership among fiction enthusiasts and political activists. The Chequebook and the Cruise Missile captures Roy speaking one-on-one to her audience, revealing her intense and wide-ranging intellect, her very personal voice, and her opinion on momentous political events. Arundhati Roy's novel The God of Small Things was awarded the Booker Prize in 1997. She is the recipient of the 2002 Lannan Foundation Prize for Cultural Freedom.
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