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Books : Literature & Fiction : Authors, A-Z : ( R ) : Rushdie, Salman
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Edited by Paul Auster, this four–volume set of Beckett's canon has been designed by award-winner Laura Lindgren. Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski.
"A man speaking English beautifully chooses to speak in French, which he speaks with greater difficulty, so that he is obliged to choose his words carefully, forced to give up fluency and to find the hard words that come with difficulty, and then after all that finding he puts it all back into English, a new English containing all the difficulty of the French, of the coining of thought in a second language, a new English with the power to change English forever. This is Samuel Beckett. This is his great work. It is the thing that speaks. Surrender." — Salman Rushdie, from his Introduction
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“Dazzling . . . Modern thriller, Ramayan epic, courtroom drama, slapstick comedy, wartime adventure, political satire, village legend–they’re all blended here magnificently.”
–The Washington Post Book World
This is the story of Maximilian Ophuls, America’s counterterrorism chief, one of the makers of the modern world; his Kashmiri Muslim driver and subsequent killer, a mysterious figure who calls himself Shalimar the clown; Max’s illegitimate daughter India; and a woman who links them, whose revelation finally explains them all. It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.
“A commanding story . . . [a] harrowing climax . . . Revenge is an ancient and powerful engine of narrative.”
–The New York Times Book Review
“Absorbing . . . Everywhere [Rushdie] takes us there is both love and war, in strange and terrifying combinations, painted in swaying, swirling, world-eating prose that annihilates the borders between East and West, love and hate, private lives and the history they make.”
–Time
“A vast, richly peopled, beautiful and deeply rageful book that serves as a profound and disturbing artifact of our times.”
–San Francisco Chronicle
“Marvelous . . . brilliant . . . a story worthy of [Rushdie’s] genius.”
–Detroit Free Press
ONE OF THE BEST BOOKS OF THE YEAR
– The Washington Post Book World –Los Angeles Times Book Review –St. Louis Post-Dispatch –Rocky Mountain News
ONE OF THE BEST NOVELS OF THE YEAR
–Time –Chicago Tribune –The Christian Science Monitor
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The families of two men, one a famous warrior and the other an infamous playboy, engage in a passionate and heated rivalry that affects the political landscape of their country. By the author of The Satanic Verses. Reprint."
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A collection of nine short stories in which Rushdie explores the relationship, the shared history, and the misunderstandings that both bind and separate East and West. From the winner of the Booker Prize for "Midnight's Children", and the Booker of Bookers in 1993.
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In this brilliantly focused and haunting portrait of the people, the politics, the land, and the poetry of Nicaragua, Salman Rushdie brings to the forefront the palpable human facts of a country in the midst of a revolution.
Rushdie went to Nicaragua in 1986, harboring no preconceptions of what he might find. What he discovered was overwhelming: a culture of heroes who had turned into inanimate objects and of politicians and warriors who were poets; a land of difficult, often beautiful contradictions. His perceptions always heightened by his special sensitivity to “the views from underneath,” Rushdie reveals a land resounding with the clashes between history and morality, government and individuals.With a new preface by the author.
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For all their permeability, the borders snaking across the world have never been of greater importance. This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IV
With astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.
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Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.
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“A mixture of science fiction and folktale, past and future, primitive and present-day . . . Thunderous and touching.”
–Financial Times
After drinking an elixir that bestows immortality upon him, a young Indian named Flapping Eagle spends the next seven hundred years sailing the seas with the blessing–and ultimately the burden–of living forever. Eventually, weary of the sameness of life, he journeys to the mountainous Calf Island to regain his mortality. There he meets other immortals obsessed with their own stasis and sets out to scale the island’s peak, from which the mysterious and corrosive Grimus Effect emits. Through a series of thrilling quests and encounters, Flapping Eagle comes face-to-face with the island’s creator and unwinds the mysteries of his own humanity. Salman Rushdie’s celebrated debut novel remains as powerful and as haunting as when it was first published more than thirty years ago.
“A book to be read twice . . . [Grimus] is literate, it is fun, it is meaningful, and perhaps most important, it pushes the boundaries of the form outward.”
–Los Angeles Times
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Written in 1944, Dangling Man takes the form of the journal of a young man waiting to be drafted. He has received notice, but a series of mix-ups keeps him waiting for the official call to arms.
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"If there's an attempt to silence a writer, the best thing a writer can do is not be silenced. If somebody is trying to stifle your voice, you should try and make sure it speaks louder than before."
Acclaim, success, and controversy follow every one of Salman Rushdie's writings. His novels and stories have won him awards and made him both famous in the literary world and a catalyst for protests worldwide. For nearly a decade after publication of The Satanic Verses, he faced a bounty on his life.
Although Rushdie has participated in a great number of interviews, many of his most revealing conversations were published in journals and newspapers throughout the globe -- not only in England and the United States, but also in India, Canada, and across Europe. Conversations with Salman Rushdie, the first collection of interviews with Rushdie, brings together the best and some of the rarest of the interviews the author has granted.
Though many know Rushdie for his novels, what most do not realize is the breadth of Rushdie's writing and thinking. There are many other Salman Rushdies -- the travel writer, the crafter of short stories, the filmmaker, the "children's" story writer, the essayist and critic, and the unflinching commentator on contemporary culture, particularly on race and inequality.
"The speaking of suppressed truths is one of the great possibilities of the novel," he tells the Third World Book Review, "and it is perhaps the main reason why the novel becomes the most dangerous of art forms in all countries where people, governments, are trying to distort the truth."
Rushdie talks extensively about the creative process, about his views on art and politics, and about his life before and after the fatwa. Articulate, witty, and learned, he shows the side of himself that sparks such controversy. While not necessarily seeking to provoke, Rushdie shows how controversy is often inseparable from the politically charged situations and issues that compel him to write.
Rushdie takes risks in his writing, pushing both the novelistic form and language to its limits. "Dispense with safety nets," he says in Imaginary Homelands. These interviews reveal a man with a powerful mind, a wry sense of humor, and an unshakable commitment to justice.
Michael R. Reder is director of the Roth Writing Center and an instructor in the department of English at Connecticut College.
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