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Books : Literature & Fiction : Authors, A-Z : ( S ) : Salter, James
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“As nearly perfect as any American fiction I know,” is how Reynolds Price (The New York Times) described this classic that has been a favorite of readers, both here and in Europe, for almost forty years. Set in provincial France in the 1960s, it is the intensely carnal story—part shocking reality, part feverish dream —of a love affair between a footloose Yale dropout and a young French girl. There is the seen and the unseen—and pages that burn with a rare intensity.
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From a writer whose every book is a literary event, a superbly accomplished work of fiction. Last Night is a spellbinding collection of stories about passion–by turns fiery and subdued, destructive and redemptive, alluring and devastating.
In ten powerful stories, Salter portrays men and women in their most intimate moments. A book dealer faces the truth about his life–as it is and never will be again–when he is visited unexpectedly by his brash former girlfriend. A lonely married woman, after a disturbing encounter with a drunken poet at a dinner party, finds herself irresistibly drawn to his animal surrogate, a huge tawny-eyed dog. A lover of poetry must come to terms with his wife’s request to give up what may be his most treasured relationship. And in the title story, already hailed by Frank Conroy as “a masterpiece, clearly and without question,” a translator, tormented by an agonizing sense of inevitability, assists in his wife’s suicide even as he performs a last betrayal.
A haunting symphony of desire, memory, and loss–from a writer whose assured style and emotional insight make him one of our most compelling voices at work today.
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This exquisite, resonant novel is a brilliant portrait of marriage by a contemporary American master. Even as he lingers over the lustrous surface of Viri and Nedra's marriage, James Salter makes us see the cracks that are spreading through it, flaws that will in time mar it beyond repair. "An unexpectedly moving ode to beautiful lives frayed by time."
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The Young Lions is a vivid and classic novel that portrays the experiences of ordinary soldiers fighting World War II. Told from the points of view of a perceptive young Nazi, a jaded American film producer, and a shy Jewish boy just married to the love of his life, Shaw conveys, as no other novelist has since, the scope, confusion, and complexity of war.
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A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter—recipient of the PEN/Faulkner Award—this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions. The editors have gathered selections and photographs from a journal Salter kept during the Korean War, published here for the first time, and assembled selections from two novels, The Hunters and Cassada, and from the author's celebrated memoir, Burning the Days. As commented in a brief introduction, "It is, as a record of the day-to-day, mission-to-mission life of a young fighter pilot, a remarkable document by any standard. But it provides as well a view into the 'crucible of a writer's beginnings, like pencil studies that precede a painting, in which the essential qualities of the artist's hand are unmistakable.'"
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With his stirring, rapturous first novel--originally published in 1956 --James Salter established himself as the most electrifying prose stylist since Hemingway. Four decades later, it is clear that he also fashioned the most enduring fiction ever about aerial warfare.
Captain Cleve Connell arrives in Korea with a single goal: to become an ace, one of that elite fraternity of jet pilots who have downed five MIGs. But as his fellow airmen rack up kill after kill--sometimes under dubious circumstances--Cleve's luck runs bad. Other pilots question his guts. Cleve comes to question himself. And then in one icy instant 40,000 feet above the Yalu River, his luck changes forever. Filled with courage and despair, eerie beauty and corrosive rivalry, The Hunters is a landmark in the literature of war.
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Over the last century air travel has evolved from a high-risk experiment involving a few visionary pioneers to an efficient—and often irritating—means for distributing masses of people to the far reaches of the globe. During the hundred-year history of human air travel, it has yielded writing that is, by turns, heroic, dreamy, subversive, and utterly dire. This anthology traces this trajectory from the early letters and memoirs of Wilbur and Orville Wright, and Charles and Anne Morrow Lindbergh, to the diaries of Amelia Earhart. Antoine de Saint-Exupery’s heroism gives way to the darkly magical storytelling of Roald Dahl, and the spare, elegiac prose of master stylist James Salter. More recent stories by Erica Jong, Mary Gaitskill, Thomas Beller, Mike Albo, Maxine Swann, and David Sedaris examine an array of contemporary subjects, from the addictiveness of mile-high sex, to etiquette for cramped seating and accounts of racial profiling post–9/11. Flight Patterns promises an entertaining refuge for frequent fliers, and a gateway to dreams for nighttime readers. These writings exude the primal fear and cool perspective that can only come from seeing the world—and one’s own life—from a great distance. Flight Patterns renders airplane travel a time capsule of modern life.
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This novel exposes the obsession that draws climbers away from civilization to test themselves against the most intimidating and inaccessible mountains in the world.
James Salter captures the adventure of Gary, a roofer of churches, who feels restrained by conventions and flat ground. Unable to find happiness in his life, he travels to southern France to climb to the summits of the Alps. He finds peace and happiness within himself soon after. But when fellow climbers are trapped on the mountain, he makes a daring one-man rescue during a storm that brings him the notice he has always shunned. But the glory quickly dissapates and he returns to the anonymity he prefers, having thoroughly satisfied himself.
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James Salter returned to his second novel, The Arm of Flesh--not to revise it but to entirely rewrite it. The result is this great new work, Cassada.The lives of officers in an Air Force squadron in occupied Europe encompass the contradictions of military experience and the men's response to a young newcomer, bright and ambitious, whose fate is to be an emblem of their own. In Cassada, Salter captures the strange comradeship of loneliness, trust, and alienation among military men ready to sacrifice all in the name of duty and pride.
After futile attempts at ordinary revision, Salter elected to begin with a blank page, to compose an entirely new novel based upon the characters and events of his second long unavailable novel, The Arm of Flesh. The result, Cassada, is a masterpiece, and the occasion of our hardcover edition was celebrated from coast to coast.
"That opening image of the two lost planes lingers throughout, evoking the dark, perilous stuff that aviators and pilot-scribes, from Saint-Exupéry and Richard Hillary to Hanna Reitsch, work in." --Paul West, The Washington Post Book World
"The air is thin in the heights through which Salter steers his characters, the prose moves at breakneck speed, and the book's emotional impact is devastating.... Cassada is a masterpiece, a book in which men wage an elemental battle for survival against invisible forces." --Mark Levine, Men's Journal
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Bald Ego, either the world's most visual literary magazine or the world's most literary visual magazine, continues its pursuit of syncretic splendor with a lustrous lineup for issue three. Jack Spade transformed the cover into a readymade. Inside, Elias Khoury, Philip Taaffe, John Lurie, Gary Indiana, Sam Matamoros, Mcdermott & McGough, Sante d'Orazio, Tom Sachs, Keith Sonnier, Elizabeth Peyton, Jack Pierson, Richard Prince, Fred Tomaselli, James Salter and many more. It's the definitive arts and literature magazine for the... Undefined.
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