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Books : Literature & Fiction : Authors, A-Z : ( S ) : Shaw, George Bernard
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A cockney flower girl is transformed into a charming woman of the world by a professor of phonetics. Two 90-minute cassettes.
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Shaw radically reworks Ovid's tale with a feminist twist: while Henry Higgins successfully teaches Eliza Doolittle to speak and act like a duchess, she adamantly refuses to be his creation. First produced in 1914, it remains one of Shaw's most popular plays.
The Definitive Text under the editorial supervision of Dan H. Laurence
With an Introduction by Nicholas Grene
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Arms and the Man is a comedy written by George Bernard Shaw, and was first produced in 1894 and published in 1898, and has become on the the most popular plays of George Bernard Shaw. Like his other works, Arms and the Man questions conventional values and uses war and love as his satirical targets. This edition of Arms and the Man is in the form of a paperback book.
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Enduring Literature Illuminated by Practical Scholarship An idealistic professor transforms an unsophisticated Cockney girl into a refined young lady in this classic drama set in turn-of-the-century London.
This Enriched Classic Edition includes:
• A concise introduction that gives readers important background information
• A chronology of the author's life and work
• A timeline of significant events that provides the book's historical context
• An outline of key themes and plot points to help readers form their own interpretations
• Detailed explanatory notes
• Critical analysis including contemporary and modern perspectives on the work
• Discussion questions to promote lively classroom and book group interaction
• A list of recommended related books and films to broaden the reader's experience
Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.
Series edited by Cynthia Brantley Johnson
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New Mermaids are modernized and fully-annotated editions of classic English plays. Each volume includes:
• The playtext, in modern spelling, edited to the highest bibliographical and textual standards
• Textual notes recording significant changes to the copytext and variant readings
• Glossing notes explaining obscure words and word-play
• Critical, contextual and staging notes
• Photographs of productions where applicable
• A full introduction which provides a critical account of the play, the staging conventions of the time and recent stage history; discusses authorship, date, sources and the text; and gives guidance for further reading.
Edited and updated by leading scholars and printed in a clear, easy-to-use format, New Mermaids offer invaluable guidance for actor, student, and theatre-goer alike.
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Caesar and Cleopatra satirizes Shakespeare’s use of history and comments wryly on the politics of Shaw’s own time, but the undertone of melancholy makes it one of his most affecting plays.
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In Mrs. Warren's Profession, Arms and the Man, Candida, and Man and Superman, George Bernard Shaw satirizes society, military heroism, marriage, and the pursuit of man by woman. From a social, literary, and theatrical standpoint, these four plays are among the foremost dramas of the age-as intellectually stimulating as they are humorous.
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George Bernard Shaw was the greatest British dramatist after Shakespeare, a satirist equal to Jonathan Swift, and a playwright whose most profound gift was his ability to make audiences think by provoking them to laughter.
In one of his best-loved plays, Pygmalion, which later became the basis for the musical My Fair Lady, Shaw compels the audience to see the utter absurdity and hypocrisy of class distinction when Professor Henry Higgins wagers that he can transform a common flower girl into a lady—and then pass her off as a duchess—simply by changing her speech and manners.
In Major Barbara Shaw spins out the drama of an eccentric millionaire, a romantic poet, and a misguided savior of souls, Major Barbara herself, in a topsy-turvy masterpiece of sophisticated banter and urbane humor. His brilliant dialogue, combined with his use of paradox and socialist theory, never fails to tickle, entertain—and challenge.
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This collection presents a cross-section of Shaw's most important theater work—Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated."Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor.
A Chronology and a Selected Bibliography are included.About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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Pygmalion is a comedy which features a unique relationship between a spunky flower girl and her speech professor. In this George Bernard Shaw classic, flower girl Eliza Doolittle teaches her speech professor Henry Higgins that being a lady is more than just speaking like one. This is a truly important work for those who are fans of the writings of George Bernard Shaw and should not be passed up by individuals who are fans of comedic and witty plays.
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In this sparkling comedy, originally staged in 1905, Andrew Undershaft, a millionaire armaments dealer, loves money and despises poverty. His energetic daughter Barbara, however, is a devout major in the Salvation Army. She sees her father as just another soul to be saved. But when the Salvation Army needs funds to keep going, it is Undershaft who saves the day.
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Based upon the Greek myth of the sculptor Pygmalion who fell in love with his own statue of a woman, George Bernard Shaw's celebrated play-and the musical adaptation by Alan Jay Lerner-feature phonetics professor Henry Higgins who transformed cockney flower girl Eliza into a lady.
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Candida (Classic Books on Cassettes Collection) [UNABRIDGED] (Classic Books on Cassettes Collection)
Candida centers on a romantic triangle and parodies courtly love and the domestic drama of Ibsen. It abounds with classical allusions, the fervor of a religious revival, and poetic inspiration and aspirations.
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Set during a house party at the eccentric household of Captain Shotover and his daughter Hesione, this comedy of manners takes a probing look at the conflict between old-fashioned idealism and the realities of the modern age. Heartbreak House was Shaw's favorite play.
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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - On the 15th June 1903, in the early forenoon, a medical student, surname Redpenny, Christian name unknown and of no importance, sits at work in a doctor's consulting-room. He devils for the doctor by answering his letters, acting as his domestic laboratory assistant, and making himself indispensable generally, in return for unspecified advantages involved by intimate intercourse with a leader of his profession, and amounting to an informal apprenticeship and a temporary affiliation. Redpenny is not proud, and will do anything he is asked without reservation of his personal dignity if he is asked in a fellow-creaturely way. He is a wide-open-eyed, ready, credulous, friendly, hasty youth, with his hair and clothes in reluctant transition from the untidy boy to the tidy doctor. Redpenny is interrupted by the entrance of an old serving-woman who has never known the cares, the preoccupations, the responsibilities, jealousies, and anxieties of personal beauty. She has the complexion of a never-washed gypsy, incurable by any detergent; and she has, not a regular beard and moustaches, which could at least be trimmed and waxed into a masculine presentableness, but a whole crop of small beards and moustaches, mostly springing from moles all over her face. She carries a duster and toddles about meddle-somely, spying out dust so diligently that whilst she is flicking off one speck she is already looking elsewhere for another. In conversation she has the same trick, hardly ever looking at the person she is addressing except when she is excited.
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George Bernard Shaw (1856-1950) was a worldrenowned Irish author. Born in Dublin, he moved to London when he turned twenty. Having rejected formal schooling, he educated himself by independent study in the reading room of the British Museum; he also began his career there by writing novels for which he could not find a publisher. His first success was as a music and literary critic, but he was drawn to drama and authored more than sixty plays during his career. Typically his work is leavened by a delightful vein of comedy, but nearly all of it bears earnest messages Shaw hoped his audiences would embrace. He remains the only person to have been awarded both a Nobel Prize (1925) for his contribution to literature and an Oscar (1938) for Pygmalion. Among his most famous works are: Candida (1894), Arms and the Man (1894) and Man and Superman (1902-03).
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