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Books : Literature & Fiction : Authors, A-Z : ( S ) : Shelley, Mary Wollstonecraft
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The epic battle between man and monster reaches its greatest pitch in the famous story of "Frankenstein". In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor himself to the very brink. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship ...and horror.
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This "Norton Critical Edition" of "Frankenstein" contains the 1818 first edition text. Only the obvious typographical errors have been corrected. The book also includes writings by Mary Shelley, Percy Bysshe Shelley, Lord Byron and John William Polidori, enabling the reader to place the novel in its historical context. Six 19th-century responses to the novel illustrate contemporary reactions, whilst 12 modern critical essays cover the different aspects (psychoanalytic, mythic, feminist) of the work.
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Few works by comic-book artists have earned the universal acclaim and reverence that Bernie Wrightson's illustrated version of Mary Wollstonecraft Shelley's Frankenstein was met with upon its original release in 1983. Twenty-five years later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. Now, Wrightson and Dark Horse Books are collaborating on a beautiful new hardcover edition of the book, published in a larger 9' x 12' format intended to show off the exquisitely detailed line art of one of the greatest living artists in comics today. This book includes the complete text of the original groundbreaking novel, and the original forty-seven full-page illustrations that stunned the world with their monumental beauty and uniqueness.
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A futuristic story of tragic love and of the gradual extermination of the human race by plague, The Last Man is Mary Shelley's most important novel after Frankenstein. With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.
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This revision of a widely adopted critical edition presents the 1831 text of Mary Shelley's English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be combined. In this second edition, three of the six essays are new.
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One murky night in 1816, on the shores of Lake Geneva, Lord Byron, famed English poet, challenged his friends to a contest--to write a ghost story. The assembled group
included the poet Percy Bysshe Shelley; his lover (and future wife) Mary Wollstonecraft Godwin; Mary's stepsister Claire Claremont; and Byron's physician, John William Polidori. The famous result was Mary Shelley's Frankenstein, a work
that has retained its hold on the popular imagination for almost two centuries. Less well-known was the curious Polidori's contribution: the first vampire novel. And the
evening begat a curse, too: Within a few years of Frankenstein's publication, nearly all of those involved met untimely deaths. Drawing upon letters, rarely tapped archives, and their own magisterial rereading of Frankenstein itself, Dorothy and Thomas Hoobler have crafted a rip-roaring tale of obsession and creation.
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Mary Shelley’s tragic story of a scientist who created a monster is perhaps even more compelling and meaningful today than when it was written nearly two centuries ago. From the bits and pieces of dead bodies, and the power of electricity, the brilliant Victor Frankenstein fashions a new form of life—only to discover, too late, the irreparable damage he has caused.
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A deluxe edition of Mary Shelley’s haunting adventure about ambition and modernity run amok
Now a Penguin Classics Deluxe Edition with an introduction by Elizabeth Kostova and cover art by Ghost World creator Daniel Clowes, Mary Shelley’s timeless gothic novel presents the epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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One of the most terrifying and sublime novels of the Romantic period, Frankenstein has remained an indelible creation, appearing in everything from B-movies to erotica. This sourcebook examines Mary Shelley's novel within its literary and cultural contexts, exploring the contexts from which Frankenstein emerged, the early reception of the novel, adaptation and performance of the work and recent criticism on it. The text also includes carefully annotated key passages from the novel and concludes with a list of recommended editions and further reading, to allow readers to pursue the areas of study that intrigue them.
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At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein, whose obsession with discovering "the cause of generation and life" leads him to assemble a human being from stolen body parts.
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Mary Shelley's "Frankenstein" is one of the most influential and controversial novels of the nineteenth century; it is also one of the most misunderstood and misinterpreted. It has been vivisected critically by latter-day Victor Frankensteins who have transformed the meanings emergent from the novel into monsters of postmodern misconception. Seldom has a work of fiction suffered so scandalously from the slings and arrows of outrageous criticism. This critical edition, containing accessible essays by literary scholars, refutes the errors and serves as an antidote to the poison that has contaminated the critical understanding of this classic gothic novel.
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A young scientist has created a living being out of dead flesh and bone. His creation, however, turns out to be a frightful monster! Now, Victor Frankenstein must stop his creation before the monsters loneliness turns to violence.
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A bolt-necked monster opens his eyes, lifts himself from his laboratory table, then lurches and stumbles toward his creator. Do we know this image because we are movie-watchers? When we imagine Frankenstein's monster, do we draw upon Mary Shelley's description? Or Boris Karloff's iconic look from the 1931 film by James Whale? Whether as cliche or icon, the monster clearly not only escaped from Victor Frankenstein's laboratory, but also from the pages of Shelley's book to roam unimpeded through our cultural psyche. New in the acclaimed "Bedside, Bathtub & Armchair" series, this guide provides the interested and curious, the serious and the ghoulish, with a new and unimaginable understanding of the Frankenstein legend. Written by an acclaimed social critic, "The Bedside, Bathtub & Armchair Companion to Frankenstein" takes us from Mary Shelley's creation to the latest film adaptations and comic-book re-creations. The book includes 200 images, many seldom seen, along with maps, puzzles, and brain-teasers - whether your brain was misplaced in a scientist's lab or not!
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Dr. Frankenstein learns the secret of imparting life to inanimate matter. To test his theories, he collects bones from the charnel-houses to construct a "human" being, and then gives it life. The creature, endowed with supernatural size and strength, is revolting to look at, and frightens all who see it. Lonely and miserable, it comes to hate its creator. The monster murders Frankenstein's brother and his bride, and flees. The doctor pursues his creation in order to destroy it, but dies himself in the attempt.
The story of Frankenstein was first written as a ghost story to be told as part of a contest between Mary Shelley, her husband, and Lord Byron. This tale of terror has been a world favorite since it was first published in 1818, and has been made into countless movies.
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Although Frankenstein is now widely taught in classes on Romanticism, little attention has been paid to the considerable corpus of Mary Shelley's other works. Indeed the excitement of the last decade at feminist approaches to Frankenstein has ironically obscured the persona of its author. This collection of essays, written by a preeminent group of Romantic scholars, sketches a portrait of the "other Mary Shelley": the writer and intellectual who recognized the turbulent interplay among issues of family, gender, and society, and whose writings resonate strongly in the setting of contemporary politics, culture, and feminism. By analyzing a previously neglected body of novels, novellas, reviews, travel writing, essays, letters, biographies, and tales, and by emphasizing Mary Shelley's shrewd assessment of Romanticism, the essays in this volume offer a ground-breaking evaluation of one of the foremost cultural critics of the nineteenth century.
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A macabre, sinister and supernatural tale, Mary Shelley’s Transformation is a masterpiece of Gothic writing. Having squandered his wealth, Guido returns to claim the hand of the celestial Juliet, but finds himself censured by her father. Petulant at his chastisement, his Byronic temperament gets the better of him, and he is punished with banishment. As he plots his revenge, he witnesses a mighty tempest, and from the raging sea emerges a strange figure. Initially repelled by the dwarfish form before him, the true horror soon strikes him: he and the dwarf are one. As their identities become increasingly merged, Transformation takes its place in the history of Doppelgänger literature. It appears here with two other stories by Shelley: The Mortal Immortal and The Evil Eye. Novelist and short-story writer Mary Wollstonecraft Shelley is best known for Frankenstein.
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This tale of a father's incestuous love for his daughter, his suicide, and the daughter's reaction isn't strictly autobiographical -- but elements of it come from Mary Shelley's life. The three main characters are clearly Mary Shelley herself, Godwin, and Percy Bysshe Shelley -- and their relations can easily be reassorted to correspond with their lives. An important and little-known tale from the author of Frankenstein.