- Hardcover
- Verdi
- Soccer
- General
- Lawyers & Judges
- ( I )
- Solid State Physics
- Radiologic & Ultrasound Technology
- Research & Ethics
- Staff Favorites
- Darkroom & Processing
- ( M-O )
- Martin, Dean
- Culture
- Jordan, Robert
- Hazlitt, William
- Mental Health
- McKinney, Jack
- Uniforms
- Emergency Medical Services
- Large Print
- Downhill
- Nevelson, Louise
- Trucks & Vans
- Smith, Deborah
- Last on Earth
- Behavioral Sciences
- Printing
- Dexter, Colin
- Durrell, Lawrence
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( S ) : Sorrentino, Gilbert
-
"Gilbert Sorrentino has long been one of our most intelligent and daring writers. But he is also one of our funniest writers, given to Joycean flights of wordplay, punning, list-making, vulgarity and relentless self-commentary."-The New York Times
"Sorrentino's ear for dialects and metaphor is perfect: his creations, however brief their presence, are vivid, and much of his writing is very funny and clever, piled with allusions."-The Washington Post Book World
Bearing his trademark balance between exquisitely detailed narration, ground-breaking form, and sharp insight into modern life, Gilbert Sorrentino's first-ever collection of stories spans 35 years of his writing career and contains both new stories and those that expanded and transformed the landscape of American fiction when they first appeared in such magazines and anthologies as Harper's, Esquire, and The Best American Short Stories.
In these grimly comic, unsentimental tales, the always-memorable characters dive headlong into the wasteland of urban culture, seeking out banal perversions, confusing art with the art scene, mistaking lust for love, and letting petty aspirations get the best of them. This is a world where the American dream is embodied in the moonlit cocktail hour and innocence passes at a breakneck speed, swiftly becoming a nostalgia-ridden clich. As Sorrentino says in the title story, "art cannot rescue anybody from anything," but his stories do offer some salvation to each of us by locating hope, humor, and beauty amidst a prevailing wind of cynical despair.
Gilbert Sorrentino has published over 20 books of fiction and poetry, including the classic Mulligan Stew and his latest novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he recently returned to his native Brooklyn.
-
Jim Harrison's vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His latest highly acclaimed volume of novellas, The Summer He Didn't Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, "The Summer He Didn't Die," Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family's health on meager resources — it helps a bit that his charms are irresistible to the new dentist in town. "Republican Wives" is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And "Tracking" is a meditation on Harrison's fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known.
With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn't Die is a resonant, warm, and joyful ode to our journey on this earth.
-
Set at a boardinghouse in rural New Jersey in the summer of 1939, this novel revolves around four people who experience the comedies, torments and rare pleasures of family, romance and sex while on vacation from Brooklyn and the Depression. Billy Recco, an eager ten-year-old in search of a father . . . Marie Recco, ne McGrath, an attractive divorce caught between her son and father, without a life of her own . . . John McGrath, dignified in manner yet brutally soured by life, insanely fearful of his daughter's restlessness . . . Tom Thebus, a rakish salesman who precipitates the conflict between Marie's hopes and her father's wrath.We follow these individuals through the events of thirty-six hours, culminating in Tom's disastrous near seduction of Marie. As the novel's perspective shifts to each of these characters, four discrete stories take form, stories that Sorrentino further enriches by using a variety of literary methodsfantasies, letters, a narrative question-and-answer, fragments of dialogue and memory. Strong and unforgettable, each voice is compelling in itself, yet in the end is only part of a complex, painful pattern in which dreams go unfulfilled and efforts unrewarded.
What emerges is a sure understanding of four people who are occasionally ridiculous, but whose integrity and good intentions are consistently, and tragically, frustrated. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives. It is widely considered one of Sorrentino's finest novels.
-
Arthur Rimbaud's invented Splendide-Hôtel, "built in the chaos of ice and of the polar night," provides the occasion for Gilbert Sorrentino's imaginative meditation on letters and language. Each chapter serves as an opportunity for the author to expand on thoughts and images suggested by a letter of the alphabet, as well as to reflect upon the workings of the imagination, particularly in the art of William Carlos Williams and Arthur Rimbaud. Reminiscent of the philosophical treatise/poem On Being Blue by William H. Gass, Splendide-Hôtel is a Grand Hotel of the mind, splendidly conceived.
-
Gilbert Sorrentino's third novel is about the New York artistic and literary world of the 1950s and '60s, specifically the artists, writers, hangers-on, and the phonies who populated that world. In a prose that is ruthless as well as possessed of an enormous comic verve, the dedicated, the stupid, the rapacious, and the foolish are dissected. Eight major characters, many of whom reappear in Sorrentino's later novels, are employed to allow the reader a variety of views of the same world.
Told in the weary voice of a cynical and sardonic narrator, the novel is crammed with fantastic characters, incidents, and episodes, and moves from wit and satire through elegiac brooding, to bitter invective. It is a superb re-creation of a real time and place.
-
Throughout these seventy-two critical pieces, Gilbert Sorrentino argues against the idea that fiction and poetry are only valuable for what they "tell us." His close readings of such influential writers as William Carlos Williams, Edward Dahlberg. Hubert Selby, John Hawkes, William Gaddis and Flann O'Brien demonstrates his concern for the craft of writing and the development of an American aesthetic.
-
Divorce in America is the subject of Gilbert Sorrentino's relentlessly disturbing first novel. Tracing the New York-to-San Francisco journey of a family as the husband and wife try to maintain the illusion that the marriage can be rescued, The Sky Changes records the imaginable damage they inflict upon each other in order to force themselves towards divorce. Along the way, their two children become victims of the parents' failures and are dragged throughout the torment of this disintegrating marriage.No other novel in American literature is so narrowly dedicated to recording close-up the devastating pain of a marriage falling apart and the doomed-to-fail efforts to make it work. And no other novel so perfectly captures the moral bankruptcy of the United States as a background to divorce.
-
"I see him now! Somewhere out there in that gloaming that we call the Past that Time forgot--his ratty beard and frizzy hair, his hearty grease sandwiches, his rusted bicycle clips. An unlikely hero, your good faces seem to say. . . ."And so we meet our hero Serge ("Blue") Gavotte, a modern-day Candide who quits his job, mounts a piano atop a broken-down pushcart and sets off with wife and child on a visionary quest across contemporary America in search of the "Perfect Musical Phrase." From the dismal plains of the Midwest to the technicolor sunsets of the Southwest, Blue refuses to let financial troubles, lecherous professors or the burdensome weight of his piano prevent him from reaching his final goal.
A work of art masquerading as artifice, BLUE PASTORAL is a madhouse production whose hilarious cast of styles and forms includes everything from Rabelaisian lists to Swiftian satires to parodies of such pastoral modes as the eclogue, the idyll, and the elegy.
-
-
A recasting of Sorrentino's Aberration of Starlight, this is the story of how a child becomes a monster: of how Red the boy becomes Red the Fiend. With an absent father who turns up only to drunkenly berate his son, and a grandmother whose aggression crescendos to a daily beating, Red can only escape by turning his hatred outward, by being as cruel and bitter as his young life has been. Employing direct, elegant sentences, while retaining his characteristic formal inventiveness, Sorrentino evokes this unyieldingly grim Brooklyn boyhood, describing close, familial conflicts that deepen and widen to reflect the hardships of Depression-era life.
-
In this superb novel composed of fragments of memory, Gilbert Sorrentino captures the unconventional nuances of a conventional world. A masterful collage of events is evocatively chained together by secrets and hidden truths that are almost accidentally revealed. Each episode, affectingly textured with penetrating detail, ferrets out the gristle and unconventional beauty found in the voices of the working-class inhabitants from an irretrievable, golden age Brooklyn.
-
"Sorrentino [is] a writer like no other. He's learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino's books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light."-Jeffrey Eugenides
"For decades, Gilbert Sorrentino has remained a unique figure in our literature. He reminds us that fiction lives because artists make it. To the novel-everyone's novel-Sorrentino brings honor, tradition, and relentless passion."-Don DeLillo
Borrowing its title from a William Carlos Williams poem, A Strange Commonplace lays bare the secrets and dreams of characters whose lives are intertwined by coincidence and necessity, possessions and experience. Ensnared in a jungle of city streets and suburban bedroom communities from the boozy 1950s to the culturally vacuous present, lines blur between families and acquaintances, violence and love, hope and despair. As fathers try to connect with their children, as writers struggle for credibility, as wives walk out, and an old man plays Russian roulette with a deck of cards, their stories resonate with poignancy and savage humor-familiar, tragic, and cathartic.
Gilbert Sorrentino is the author of more than 30 books, including Little Casino, finalist for the PEN/Faulkner Award. A critical and influential figure in postmodern American literature, he is the recipient of two Guggenheim Fellowships and a Lannan Literary Award. His frequent appearances on Michael Silverblatt's Bookworm can be heard at www.kcrw.org. Once an editor at Grove Press, Sorrentino is professor emeritus at Stanford University and lives in Brooklyn.
-
"For decades, Gilbert Sorrentino has remained a unique figure in our literature. He reminds us that fiction lives because artists make it. . . . To the novel-everyone's novel-Sorrentino brings honor, tradition and relentless passion."-Don DeLillo
"Possessing both the grace of James Joyce and the snap and crackle of Tom Wolfe, [Sorrentino] is a must-read for those who fancy fiction served on wry."-Booklist
"Far from being overly highbrow, Sorrentino manages to be thrillingly disorienting and, at the same time, quite accessible."-BookSense.com
"Sorrentino has shown himself a perfect mimic of the information age, an era when all is revealed and no one can quite remember who appeared on the cover of last week's People."-The Washington Post
A boyhood friend of the late Hubert Selby, Jr., teacher of Jeffrey Eugenides and two-time PEN/Faulkner Award finalist, Gilbert Sorrentino is an elder statesman of American literature who continues to transgress artistic boundaries.
In Lunar Follies, a bitingly satiric, imaginative tour of gallery, museum and performance art exhibitions, Sorrentino skewers the pretensions of the contemporary art world and its flailing attempts at relevance in a society whose attentions have strayed to the immediacy of pop culture. With precise comedic timing and an eye toward lascivious detail, Sorrentino is the perfect guide through this deliciously absurd world.
Gilbert Sorrentino has published over 20 books of fiction and poetry, including the story collection, The Moon in Its Flight, and the recent novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he now lives in his native Brooklyn, New York.
-
This digital document is an article from The Review of Contemporary Fiction, published by Review of Contemporary Fiction on September 22, 1999. The length of the article is 4794 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: The Act of Creation and Its Artifact.
Author: Gilbert Sorrentino
Publication: The Review of Contemporary Fiction (Refereed)
Date: September 22, 1999
Publisher: Review of Contemporary Fiction
Volume: 19 Issue: 3 Page: 7
Distributed by Thomson Gale
-
-
Three teenage boys, Nort and Dick Shannon and their friend, Bud Merkel, find themselves in the middle of the forbidding Gila Desert on an adventure that will, they hope, lead them to the fabled riches of desert gold. Their guides, the grizzled prospector, Hank Crosby, and the leathery old cowpoke, Billee Dobb, accompany them through blistering heat, savage sandstorms, and the dangers posed by the evil Del Pinzo and his sinister Indian companion, Zapto, men who want the treasure for themselves. In this brilliant, witty, yet fond burlesque of the boys' adventure books, Sorrentino tells the story in interrogative sentences, forcing the reading to answer the very questions of the narrative itself.
Gilbert Sorrentino teaches at Stanford University.
-
paperback of Sorrentino's classic early novel
-
-
Fiction. Re-printed by Dalkey Archive Press. Both comic and haunting, CRYSTAL VISION invokes the world of magic and the arcane as filtered through a group of characters gathered on the streets and in the stores of their Brooklyn neighborhood to gossip, insult, lust, brag, and argue. In a series of seventy-eight short narratives, Gilbert Sorrentino perfectly captures the speech, allusions, and confusion of The Magician, Ritchie, The Arab, Irish Billy, Big Duck, Doc Friday, Fat Frankie, and many others. Through formal inventiveness, Sorrentino liberates these characters from the confines of realism and gives us their world--zany, vulgar, hilarious, and exuberant. "CRYSTAL VISION is a remarkable work of transparence, both artfully faceted in its construction and vital--full of speaking fossils--in the life it remembers"--Thomas LeClair, Washington Post Book World.
-