- Graphic Novels
- Deep Space Nine
- Large Print
- Costikyan, Greg
- Bingley, Margaret
- Fiction
- Foreign Languages
- Ecclesiastical Theology
- ( B )
- Geotechnical
- Flowers & Plants
- Fishing
- Wallace, William
- Lermontov, Mikhail
- Organizational Behavior
- O'Connell, Carol
- Other
- Goyen, William
- Peel, John
- Lanyon, Peter
- Weaver, Tom
- Mexico
- Gould, Judith
- Hardcover
- Educational Law & Legislation
- Strauss, Richard
- Literacy
- McMullen, Mary
- Diablo
- Land, Jon
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( S ) : Soyinka, Wole
-
Death and the King's Horseman (1975) is the most widely read work by Nigerian author Wole Soyinka, winner of the 1986 Nobel Prize for Literature. The text is accompanied by an introduction and explanatory annotations. "Backgrounds and Contexts" provides readers with a thorough understanding of the play's traditional African contexts. "Criticism" includes nine major essays on Death and the King's Horseman, focusing on the difficulties the play presents to its readers.
About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
-
'"The Lion and the Jewel" alone is enough to establish Nigeria as the most fertile new source of English-speaking drama since Synge's discovery of the Western Isles.' - "The Times". The ironic development and consequences of 'progress' may be traced through both the themes and the tone of the works included in this second volume of Wole Soyinka's plays. "The Lion and the Jewel" shows an ineffectual assault on past tradition soundly defeated. In "Kongi's Harvest", however, the pretensions of Kongi's regime are also fatal. The denouement points the way forward. "The Two Brother Jero" plays pursue that way, the comic 'propheteering' of the earlier play giving way to the sardonic reality of "Jero's Metamorphosis". "Madmen and Specialists", Soyinka's most pessimistic play, concerns the physical, mental, and moral destruction of modern civil war.
-
This is one of the best-known plays by Africa's major dramatist, Wole Soyinka. It is set in the Yoruba village of Ilunjinle. The main characters are Sidi (the Jewel), 'a true village belle' and Baroka (the Lion), the crafty and powerful Bale of the village, Lakunle, the young teacher, influenced by western ways, and Sadiku, the eldest of Baroka's wives. How the Lion hunts the Jewel is the theme of this ribald comedy.
-
-
Madmen and Specialists is one of Soyinka's most excoriating portrayals of abusers and abused in the new Nigeria ushered in by Biafra. Set in the "surgery" of a doctor, the play is populated by mendicants and the "insane," all fodder for "experimentation" by a shape-shifting doctor whose experiments may be more sinister than they at first appear.
"Soyinka's Nobel Prize for Literature is a triumphant affirmation of the universality of this novelist, poet, filmmaker, and political activist."-Guardian
-
A wholly fresh interpretation of the timeless play by a Nobel Prize-winning author.
Wole Soyinka has translated—in both language and spirit—a great classic of ancient Greek theater. He does so with a poet's ear for the cadences and rhythms of chorus and solo verse as well as a commanding dramatic use of the central social and religious myth. In his hands The Bacchae becomes a communal feast, a tumultuous celebration of life, and a robust ritual of the human and social psyche. "The Bacchae is the rites of an extravagant banquet, a monstrous feast," Soyinka writes. "Man reaffirms his indebtedness to earth, dedicates himself to the demands of continuity, and invokes the energies of productivity. Reabsorbed within the communal psyche he provokes the resources of nature; in turn he is replenished for the cyclic rain in his fragile individual potency." The blending of two master playwrights—Euripides and Soyinka—makes for an unforgettable experience.
-
-
First collection of poems for ten years by the Nobel Prize-winning poet and dramatist. Many of these poems were written whilst Soyinka was in enforced travel after a price was placed on his head by Sani Abacha, the Nigerian dictator, and thus address themes of journey and exile.
"One of the liveliest, most exciting writers in the world today."-The New York Times
-
-
-
-
This drama was first performed as part of the Nigerian Independence Celebrations.
-
-
Paperback, Looks New, Pages are clean
-
-
This volume contains two short plays about Brother Jeroboam, the rather less than holy West African "beach divine." In the first play, The Trials of Brother Jero, the charlatan preacher, burdened by a cross "daughter of Eve," uses Christian superstition for his own salvation. In the sequel, Jero's Metamorphosis, the profit-minded "prophet" thwarts a government attempt to cleanse the beach of all the dubious brethren who ply their trade there.
-
-
-
-
Theater, in a variety of forms and contexts, can make, and indeed has made, positive political and social interventions in a range of developing cultures around the world. In this book a distinguished team of theater historians and dramatists explore how theater has a dynamic and often difficult relationship with societies and states, arguing positively that theatrical activity can make a difference. The collection begins with a foreword by Wole Soyinka and, throughout the volume, specially chosen plays, projects and movements are examined in countries such as Brazil and Argentina, Nigeria, Eritrea and South Africa, India and the Caribbean.
















