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Books : Literature & Fiction : Authors, A-Z : ( S ) : Spark, Muriel
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Jean Brodie is a teacher with advanced and unconventional ideas that put her at odds with the other members of staff at the Marcia Blaine School in Edinburgh, as she endeavours to shape the lives of the select group of girls who form her "set".
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(Book Jacket Status: Jacketed)
The brevity of Muriel Spark’s novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit.
Spark’s most celebrated novel, The Prime of Miss Jean Brodie, tells the story of a charismatic schoolteacher’s catastrophic effect on her pupils. The Girls of Slender Means is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. The Driver’s Seat follows the final haunted hours of a woman descending into madness. And The Only Problem is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism.
All four novels give evidence of one of the most original and unmistakable voices in contemporary fiction. Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance.
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Unforgettably astounding and a joy to read, Memento Mori is considered by many to be the greatest novel by the wizardly Dame Muriel Spark. In late 1950s London, something uncanny besets a group of elderly friends: an insinuating voice on the telephone informs each, "Remember you must die." Their geriatric feathers are soon thoroughly ruffled by these seemingly supernatural phone calls, and in the resulting flurry many old secrets are dusted off. Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.
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Muriel Spark in prime form: one of her most enjoyable, complex, and instructive jeux d'esprit. "How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographial Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end? "A delicious conundrum," The New Statesman called Loitering with Intent.
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Set on the crazier fringes of 1950s literary London, A Far Cry from Kensington is a delight, hilariously portraying love, fraud, death, evil, and transformation. Mrs. Hawkins, the majestic narrator of A Far Cry from Kensington, takes us well in hand, and leads us back to her threadbare years in postwar London. There, as a fat and much admired young war widow, she spent her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming-house. At work and at home Mrs. Hawkins soon uncovered evil: shady literary doings and a deadly enemy; anonymous letters, blackmail, and suicide. With aplomb, however, Mrs. Hawkins confidently set about putting things to order, little imagining the mayhem which would ensue. Now decades older, thin, successful, and delighted with life in Italy -- quite a far cry from Kensington -- Mrs. Hawkins looks back to all those dark doings, and recounts how her own life changed forever. She still, however, loves to give advice: "It's easy to get thin. You eat and drink the same as always, only half....I offer this advice without fee; it is included in the price of this book." A masterwork by "Britain's greatest living novelist" (Sunday Telegraph, 1999), A Far Cry from Kensington has been hailed as "outstanding" (The Observer) and "wickedly and adroitly executed"(The New York Times). "Far Cry is, among other things, a comedy that holds a tragedy as an egg-cup holds an egg" (Philadelphia Inquirer).
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Four brand new tales are now added to New Directions' original 1997 cloth edition of Open to the Public. This new and complete paperback edition now contains every one of her forty-one marvelous stories, catnip for all Spark fans. All the Stories of Muriel Spark spans Dame Muriel Spark's entire career to date and displays all her signature stealth, originality, beauty, elegance, wit, and shock value.No writer commands so exhilarating a style—playful and rigorous, cheerful and venomous, hilariously acute and coolly supernatural. Ranging from South Africa to the West End, her dazzling stories feature hanging judges, fortune-tellers, shy girls, psychiatrists, dress designers, pensive ghosts, imaginary chauffeurs, and persistent guests. Regarding one story ("The Portobello Road"), Stephen Schiff said in The New Yorker: "Muriel Spark has written some of the best sentences in English. For instance: 'He looked as if he would murder me, and he did.' It's a nasty piece of work, that sentence."
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Fiction. Spark's classic satiric novel of a blue-collar town is once again available.
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"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself--"three times window shattered since 1940 but never directly hit"--its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in The London Sunday Times Review, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "One of this century's finest creators of comic-metaphysical entertainment."
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This autobiography, now in paperback, offers a wonderfully vivid account of the people and places that inspired so much of Muriel Spark's writing, such as The Prime of Miss Jean Brodie. Here, readers will find high comedy, betrayal, rigorous intelligence, the odd twist of faith, and mysterious grace--all the elements that have delighted her readers for more than 35 years. Photos.
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Published in 1974 and inspired by Watergate, Muriel Spark's Abbess of Crewe is much more amusing and infinitely drier. It transpires that Alexandra, the title character, has bugged and videotaped the Abbey--except for the confessionals and chapel--with electronic "devices fearfully and wonderfully beyond the reach of a humane vocabulary." After her only rival decamps for London and the arms of a Jesuit, police and newspapers swoop in. All the while, the Abbess (an adherent of Machiavelli, The Art of War, and the Modernist poets) keeps her cool, sacrificing her confederates as necessary and trying to assure herself of helicopter-hopping Gertrude's loyalty. (Gertrude is off curing cannibals of their customs and calls in occasionally from places whose unpronounceable names will soon be replaced by other equally unpronounceable names.) Spark's nuns on the run are more than stand-ins for the sweaty American President and his operatives; the satire extends to Anglo-snobbism and -Catholicism. The Abbess explains to the Pope that "electronic surveillance (even if a convent were one day to practise it) does not differ from any other type of watchfulness, the which is a necessity of a Religious Community; we are told in the Scriptures 'to watch and to pray,' which is itself a paradox."
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To rendezvous with her archeologist fiance in Jordan, Barbara Vaughn must first pass through the Mandelbaum Gate--which divides strife-torn Jerusalem. A half-jewish convert to Catholicism, an Englishwoman of strong and stubborn convictions, Barbara will not be dissuaded from her ill-timed pilgrimage despite a very real threat of bodily harm and the fearful admonishments of staid British diplopmat Freddy Hamilton.
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A suspense novel about three castaways marooned on an island owned by an eccentric recluse. January Marlow, a heroine with a Catholic outlook of the most unsentimental stripe, is one of three survivors out of twenty-nine souls when her plane crashes, blazing, on Robinson's island. Presumed dead for months, the three survivors must wait for the annual return of the pomegranate boat. Robinson, a determined loner, proves a fair if misanthropic host to his uninvited guests; he encourages January to keep a journal: as "an occupation for my mind, and I fancied that I might later dress it up for a novel. That was most peculiar, as things transpired, for I did not then anticipate how the journal would turn upon me, so that having survived the plane disaster, I should nearly meet my death through it." In Robinson, Muriel Spark's wonderful second novel, under the tropical glare and strange fogs of the tiny island, we find a volcano, a ping-pong playing cat, a dealer in occult as well as lucky charms, flying ants, sexual tension, a disappearance, blackmail, and—perhaps—murder.Everything astounds, confounds, and convinces, frighteningly. "She is," as Charles Alva Hoyt once put it, "the Jane Austen of the Surrealists." Robinson, a unique and marvelous novel, is another display of the powers of "the most gifted and innovative British novelist" (The New York Times). In the work of Dame Muriel—in the last words of Robinson— "immediately all things are possible."
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Dame Muriel Spark delivers a delightfully alarming novel, full of high society and low cunning.
One October evening five posh London couples gather for a dinner party, enjoying "the pheasant (flambé in cognac as it is)" and waiting for the imminent arrival of the late-coming guest Hilda Damien, who has been unavoidably detained due to the fact that she is being murdered at this very moment…
Symposium was applauded by Time magazine for the "sinister elegance" of Muriel Spark's "medium of light but lethal comedy." Mixed in are a Monet, a mad uncle, some unconventional nuns, and a burglary ring run by a rent-a-butler. Symposium stars a perfectly evil young woman (a classic sweet-faced hair-raising Sparkian horror) who has married rich Hilda's son by hook or by crook, hooking him at the fruit counter of Harrod's. There is also spiritual conversation—and the Bordeaux is superb. "The prevailing mood is urbane: the wine is poured, the talk continues, and all the time the ice on which the protagonists' world rests is being thinned from beneath, by boiling emotions and ugly motives….No living writer handles the tension between formality of expression and subversiveness of thought more elegantly." (The Independent on Sunday).
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