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Books : Literature & Fiction : Authors, A-Z : ( S ) : Spenser, Edmund
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Book 1 presents a powerful allegory of the trials of good against evil. The Red Cross Knight with his companion, Una, sets out on a quest to rid the land of the dragon. The Knight is to become Saint George adn his betrothal to Una signigies the union of the newly established Church with the faithful. But Spencer's tale moves beyond the allegory reflecting his experience of human frailty in an imaginative romantic narrative that draws on the quest plots of medieval literature and Italian romances. His unique diction with its newly-coined words and rich description adds to the antique flavour of The Legende of the Knight of the Red Crosse.
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First in a series of Spenser's great work in five volumes. Each includes its own Introduction, annotation, notes on the text, bibliography, glossary, and index of characters; Spenser's "Letter to Raleigh" and a short Life of Edmund Spenser appear in every volume.Framed in Spenser's distinctive, opulent stanza and in some of the trappings of epic, Book One of Spenser's The Faerie Queene consists of a chivalric romance that has been made to a typical recipe—"fierce warres and faithfull loves"—but that has been Christianized in both overt and subtle ways. The physical and moral wanderings of the Redcrosse Knight dramatize his effort to find the proper proportion of human to divine contributions to salvation—a key issue between Protestants and Catholics. Fantastic elements like alien humans, humanoids, and monsters and their respective dwelling places are vividly described.
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While The Faerie Queene is his masterpiece, Edmund Spenser showed his supreme versatility and skill as eulogist, satirist, pastoral poet, and prophet in his shorter poetry. This new edition demonstrates the point. Included in this volume are The Shepheardes Calender, twelve poems that mark a turning point in literary history, as the anonymous author confidently asserts his faith in the native vigor of the English language; the Amoretti and Hymnes, which reveal an acute sense of how erotic and even religious love are shot through with vanity and narcissism; Mother Hubberds Tale, an Elizabethan Animal Farm; and the Epithalamion, a rare celebration of consummated desire that is offset by far darker echoes. To assist readers with Spenser's many allusions to biblical, classical, and contemporary literature, Richard A. McCabe provides an insightful Introduction and detailed notes.
"Spenser is most commonly celebrated as the author of The Faerie Queene, yet had he written nothing other than the works collected in the present volume he would still rank amongst the foremost of English poets."--Richard A. McCabe, from the Introduction
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Treasury of over 170 English and American sonnets by more than 70 poets, from the Renaissance to the 20th century. Shakespeare's "Shall I Compare Thee to a Summer's Day?", Milton's "On His Blindness," Wordsworth's "The World Is Too Much with Us," many more by Spenser, Sidney, Blake, Byron, Coleridge, Longfellow, Yeats, Frost, Poe, etc.
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These paired Arthurian legends suggest that erotic desire and the desire for companionship undergird national politics. The maiden Britomart, Queen Elizabeth's fictional ancestor, dons armor to search for a man whom she has seen in a crystal ball. While on this quest, she seeks to understand how one can be chaste while pursuing a sexual goal, in love with a man while passionately attached to a woman, a warrior princess yet a wife. As Spenser's most sensitively developed character, Britomart is capable of heroic deeds but also of teenage self-pity. Her experience is anatomized in the stories of other characters, where versions of love and friendship include physical gratification, torture, mutual aid, competition, spiritual ecstasy, self-sacrifice, genial teasing, jealousy, abduction, wise government, sedition, and the valiant defense of a pig shed.------
The Faerie Queene from Hackett Publishing Company
General Editor, Abraham StollSpenser's great work in five volumes. Each includes its own Introduction, annotation, notes on the text, bibliography, glossary, and index of characters; Spenser's "Letter to Raleigh" and a short Life of Edmund Spenser appear in every volume.
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This text is part of a series of Spenser's great work in five volumes. Each includes its own general introduction, annotation, note on the text, bibliography, glossary, and an index of characters; Spenser's Letter to Raleigh and a short Life of Spenser appear in every volume.
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Book Six and the incomplete Book Seven of The Faerie Queene are the last sections of the unfinished poem to have been published. They show Spenser inflecting his narrative with an ever more personal note, and becoming an ever more desperate and anxious author, worried that things were falling apart as Queen Elizabeth failed in health and the Irish crisis became ever more terrifying. The moral confusion and uncertainty that Calidore, the Knight of Courtesy, has to confront are symptomatic of the lack of control that Spenser saw everywhere around him. Yet, within such a troubling and disturbing work there are moments of great beauty and harmony, such as the famous dance of the Graces that Colin Clout, the rustic alter ego of the poet himself, conjures up with his pipe. Book Seven, the "Two Cantos of Mutabilitie," is among the finest of Spenser's poetic works, in which he explains the mythical origins of his world, as the gods debate on the hill opposite his Irish house. Whether order or chaos triumphs in the end has been the subject of most subsequent critical debate.---------
The Faerie Queene from Hackett Publishing Company:
Spenser's great work in five volumes. Each includes its own Introduction, annotation, notes on the text, bibliography, glossary, and index of characters; Spenser's "Letter to Raleigh" and a short Life of Edmund Spenser appear in every volume.
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The first great epic poem in the English language, The Faerie Queene is a long and complex allegory that presents the first-time reader with many difficulties of allusion and interpretation. This book, designed as a handbook to be consulted by students while reading the poem, is the only convenient and up-to-date guide available. Religious and political contexts are explained, while the analysis of Spenser's literary techniques encourages close reading. This revised edition takes account of recent developments in Spenserian criticism, and brings the guidance on further reading up to date.
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In this accessible and rigorous introduction to Spenser, fourteen specially-commissioned essays provide all the essential information required to appreciate and understand Spenser's rewarding and challenging work. The Companion guides the reader through Spenser's poetry and prose, and provides extensive commentary on his life, the historical and religious context in which he wrote, his wide reading in Classical, European and English poetry, his sexual politics and use of language. A chronology and further reading lists make this volume indispensable for any student of Spenser.
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Spenser and the Discourses of Reformation England is a wide-ranging exploration of the relationships among literature, religion, and politics in Renaissance England. Richard Mallette demonstrates how one of the great masterpieces of English literature, Edmund Spenser’s The Faerie Queene, reproduces, criticizes, parodies, and transforms the discourses of England during that remarkable political and literary era.According to Mallette, The Faerie Queene not only represents Reformation values but also challenges, questions, and frequently undermines Protestant assumptions. Building upon recent scholarship, particularly new historicism, Protestant poetics, feminism, and gender theory, this ambitious study traces The Faerie Queene’s linkage of religion to political and social realms. Mallette’s study expands traditional theological conceptions of Renaissance England, showing how the poem incorporates and transmutes religious discourses and thereby tests, appraises, and questions their avowals and assurances. The book’s focus on religious discourses leads Mallette to examine how such matters as marriage, gender, the body, revenge, sexuality, and foreign policy were represented—in both traditional and subversive ways—in Spenser’s influential masterpiece.A bold and finely argued contribution to our understanding of Spenser, Reformation thought, and Renaissance literature and society, Mallette’s study will add to the ongoing reassessment of England during this important period.
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This pathbreaking book dismantles the stereotype of Spenser as one who blurs earlier epic traditions. John Watkins`s examinations of Spenser`s major poetry reveal a poet keenly attuned to dissonances among his classical, medieval, and early modern sources. By bringing Virgil into a dialogue with Chaucer, Ariosto, and Tasso, Spenser transformed the most patriarchal of genres into a vehicle for praising the Virgin Queen.
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This student edition is based on the first published text and offers an authoritative introduction, discussing the View's reception, relating it to Spenser's corpus as a whole, and summarising recent scholarship.
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This gracefully written and well thought-out study deals with a neglected collection of poems by Spenser, which was issued in 1591 at the height of his career. While there has been a good deal written in recent years on two of the poems in the collection, "Mother Hubberd’s Tale" and "Muiopotmos", Brown innovatively addresses the collection in its entirety. He urges us to see it as a planned whole with a consistent design on the reader: he fully acknowledges, and even brings out further, the heterogeneity of the collection, but he examines it nevertheless as a sustained reflection on the nature of poetry and the auspices for writing in a modern world, distancing itself from the traditions of the immediate past. The strength of this work lies both in the originality of its project and in the precision and enterprise of the close reading that informs its argument. Interest in the concern of Spenser’s poetry with the nature of poetry is in the current critical mainstream, but here the attentiveness is both unusually focused and unusually sustained. Brown garners more than would be expected from the translations in the Complaints, while at the same time including striking and individual chapters on the better known "Mother Hubberd’s Tale" and "Muiopotmos"; he advances understanding of these extremely subtle texts and fully justifies his wider approach to the collection as a whole. Arguing that Spenser’s relationship to literary tradition is more complex than is often thought, Brown suggests that Spenser was a self-conscious innovator whose gradual move away from traditional poetics is exhibited by the different texts in the Complaints. He further suggests that the Complaints are a "poetics in practice", which progress from traditional ideas of poetry to a new poetry that emerges through Spenser’s transformation of traditional complaint.
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This ground-breaking study explores the treatment of the boundaries between poetry and history in three epic literary works: Spenser's Faerie Queene, Samuel Daniel's Civil Wars, and Michael Drayton's Poly-Olbion. David Galbraith argues that each of the three national poems enters into a dialogue with classical and more contemporary predecessors and that this relationship has profound implications for understanding the English Renaissance. He explores the importance for each poem of various aspects of the relationship between England and Rome and the significance of the recurring spatial metaphors by which the territories of poetry and history are constituted, negotiated, and traversed. By presenting historically and theoretically inflected readings of the poems, Galbraith gives new interpretation to important problems of allegory and poetic imitation.