Shop Categories
- Ketchum, Jack
- Plasma Physics
- Study Guides
- Pure Mathematics
- Star Wars
- Savannah
- Huff, Tanya
- Archipenko, Alexander
- Gallagher, Stephen
- Mount Shasta
- Ecology
- iPods
- Women in Islam
- Rollins, Henry
- Tablesetting
- New Baby
- Jokes & Riddles
- Outside & Inside
- Virginia
- 19th Century
- Fiedler, Arthur
- Wright, Charles
- Cannell, Dorothy
- Downer, Ann
- Languages
- Cook, Paul
- Duncan, Isadora
- Dine, Jim
- Opera
- Connelly, Michael
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( S ) : Stendhal
-
Handsome and ambitious, Julien Sorel is determined to rise above his humble peasant origins and make something of his life-by adopting the code of hypocrisy by which his society operates. Julien ultimately commits a crime-out of passion, principle, or insanity-that will bring about his downfall. The Red and the Black is a lively, satirical picture of French Restoration society after Waterloo, riddled with corruption, greed, and ennui. The complex, sympathetic portrayal of Julien, the cold exploiter whose Machiavellian campaign is undercut by his own emotions, makes him Stendhal's most brilliant and human creation-and one of the greatest characters in European literature.
Translated with an introduction by Roger Gard.
-
-
The Charterhouse of Parma (1839) is a compelling novel of passion and daring. Set at the beginning of the 19th-century in northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo. The novel's great achievement is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness. This new translation captures Stendhal's narrative verse, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power.
-
All his books, "Love" was Stendhal's favorite. Written at a critical time in his life when his own love had been rejected, the book is a thinly disguised picture of the author's innermost feelings. Though it ranges over a wide variety of topics from courtly love to the emancipation of women, central to the book is Stendhal's account of love - an intense, romantic and generally unrequited love.
-
Based again on Robert M. Adams's highly regarded translation of Stendhal's 1831 novel of ambition, love, and betrayal, this Second Norton Critical Edition of The Red and the Black is the most comprehensive and up-to-date edition available.
An extensively revised "Backgrounds and Contexts" section provides geographical and political insights into mid-nineteenth century France and places the novel in the context of contemporary authors and works. A map of 1830s France, political and literary chronologies, an account of the trial of Antoine Berthet, and related writings by Stendhal, Paul Valéry, and Jules Janin are included.
"Criticism" collects nine essays, seven of which are new to this edition, by Erich Auerbach, René Girard, Victor Brombert, Shoshana Felman, Peter Brooks, Sandy Petrey, Alison Finch, Lisa G. Algazi, and Susanna Lee.
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
-
A Major New Translation
The Red and the Black, Stendhal’s masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorel’s quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of post–Napoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature.
Neglected during its time, The Red and the Black has assumed its rightful place as one of the world’s great books, and Burton Raffel’s extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before.
From the Hardcover edition.
-
-
The Life of Henry Brulard is the autobiography of one of France's greatest writers, Stendhal, author of The Red and the Black and The Charterhouse of Parma. Here, writing at white heat and with such ferocious honesty and indignation that his book was to remain unpublishable for more than a century after its composition, Stendhal revisits his unhappy childhood in a stuffy provincial town and bares his rebellious heart. His adored mother, who died when he was only seven; a father devoted only to his own social ambitions; the aunt whose daily cruelties passed for care: these are among the indelible portraits in a work that captures the sights, sounds, places, and characters of Stendhal's youth, its pleasures and sorrows, with preternatural clarity and immediacy. Full of dazzling images and burning emotions, The Life of Henry Brulard is a vivid memoir that is also an extraordinary work of the imagination.
-
-
-
-
Best known for The Red and the Black, Stendhal excelled at spinning imaginative tales of strong-willed, passionate characters within historical settings. This Dual-language edition features 2 of his best short stories: "Vanina Vanini," concerning a romance between an aristocrat and a wounded soldier, and "The Abbess of Castro," which recounts a nun's illicit liaison.
-
-
-
Inspired by his unrequited passion for the Countess Dembowska, Stendhal brings together logical, clear-sighted analysis with all-consuming emotion to remarkable effect in this unique treatise. Stendhal begins his study by classifying the different types of love—romantic, passionate, or courtly—and then muses on the causes of love’s birth. He identifies the seven stages of falling in love and proffers wise advice for the ardent lover on a variety of topics, including how to “crystallize” the object of one’s desire. Yet beneath these clever philosophical musings, Stendhal makes a desperate attempt to reconcile and dispel his own tortured emotions.
-
-
Memoirs of an Egotist, Stendhal’s fragmentary autobiographical work, is alert, wry, and perpetually self-questioning. Through a series of apparently random impressions of the political, social, and artistic movements of the world around him, he imbues a range of human experience, from the mundane to the extraordinary, with the significance it deserves. Containing everything from delightful thumbnail sketches of his friends and colleagues, to lyrical remembrances of gardens and operas and tenderly amused descriptions of tea with London prostitutes, Memoirs of an Egotist is as startling as it is revealing.
-
A Major New Translation
The Red and the Black, Stendhal’s masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorel’s quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of post–Napoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature.
Neglected during its time, The Red and the Black has assumed its rightful place as one of the world’s great books, and Burton Raffel’s extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before.
-
The Red and the Black, by Stendhal, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.
After Napoleon’s defeat, the French aristocracy tried to reassert its power in a government known as the Restoration. Venal and corrupt, the Restoration fell in 1830. Later that year, Stendhal published his scathing satire of Restoration society, The Red and the Black. Its title refers to the military and the clergy, the two career paths open to young men of intelligence and ambition but no social standing.
Stendhal’s hero, Julien Sorel, is such a young man. A seminary student, he is nevertheless an admirer of Napoleon, and dreams of military glory. When he is hired to tutor the mayor’s children, he quickly seduces the mayor’s wife, then moves on to Paris where he conquers a nobleman’s daughter. Sorel comes to believe that the secret of success is to outperform the hypocrites and vicious opportunists who surround him—and he’s right. But when the rich and powerful he so admires align against him, his downfall becomes unavoidable.
A master of characterization, Stendhal paints a fascinating, multi-layered portrait of Julien Sorel, who endures as one of literature’s most complex and surprisingly sympathetic—a would-be manipulator out of his depth in a sea of sharks.
Bruce Robbins is Professor of English and Comparative Literature at Columbia University. He is the author of Feeling Global: Internationalism in Distress, The Servant’s Hand: English Fiction from Below, and Secular Vocations: Intellectuals, Professionalism, Culture.
-
