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Books : Literature & Fiction : Authors, A-Z : ( S ) : Stoppard, Tom
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Acclaimed as a modern dramatic masterpiece, "Rosencrantz and Guildenstern Are Dead" is the fabulously inventive tale of "Hamlet" as told from the worm's-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of "Waiting for Godot" resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
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Rock ’n’ Roll is an electrifying collision of the romantic and the revolutionary. It is 1968 and the world is ablaze with rebellion, accompanied by a sound track of the Rolling Stones and Bob Dylan. Clutching his prized collection of rock albums, Jan, a Cambridge graduate student, returns to his homeland of Czechoslovakia just as Soviet tanks roll into Prague. When security forces tighten their grip on artistic expression, Jan is inexorably drawn toward a dangerous act of dissent. Back in England, Jan’s volcanic mentor, Max, faces a war of his own as his free-spirited daughter and his cancer-stricken wife attempt to break through his walls of academic and emotional obstinacy. Over the next twenty years of love, espionage, chance, and loss, the extraordinary lives of Jan and Max spin and intersect until an unexpected reunion forces them to see what is truly worth the fight.
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Arcadia takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries—romantic, scientific, literary—that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is “Stoppard’s richest, most ravishing comedy to date, a play of wit, intellect, language, brio and . . . emotion. It’s like a dream of levitation: you’re instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you’re about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow . . . Exhilarating” (Vincent Canby, The New York Times).
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Tom Stoppard’s magnificent trilogy, The Coast of Utopia, was the most keenly awaited and successful drama of 2007. Now “Stoppard’s crowning achievement” (David Cote, Time Out New York) has been collected in one volume, with an introduction by the author, and includes the definitive text used during Lincoln Center’s recent celebrated run. The Coast of Utopia comprises three sequential plays that chronicle the story of a group of friends who come of age under the Tsarist autocracy of Nicholas I, and for whom the term “intelligentsia” was coined. Among them are the anarchist Michael Bakunin, who was to challenge Marx for the soul of the masses; Ivan Turgenev, author of some of the most enduring works in Russian literature; the brilliant, erratic young critic Vissarion Belinsky; and Alexander Herzen, a nobleman's son and the first self-proclaimed socialist in Russia, who becomes the main focus of this drama of politics, love, loss, and betrayal. In The Coast of Utopia, Stoppard presents an inspired examination of the struggle between romantic anarchy, utopian idealism, and practical reformation in what The New York Times calls “brilliant, sprawling . . . a rich pageant.”
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Plays Five:
Arcadia
The Real Thing
Night & Day;
Indian Ink;
Hapgood
This fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.
Arcadia received the Evening Standard, the Oliver, and the Critics Awards and
The Real Thing won a Tony Award.
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The Seagull, a spectacular failure on its first appearance, was the play that, on its second, established Anton Chekhov as an important and revolutionary dramatist. Here, amid the weariness of life in the country, the famous actress Arkadina presides over a household riven with desperate love, with dreams of success and dread of failure. It is her son, Konstantin, who one day shoots a seagull; it is the novelist Trigorin who will one day write the story of the seagull so casually killed; but it is Nina, the seagull herself, whose life to come will rewrite the story. This new translation of The Seagull--made by Tom Stoppard for the Peter Hall Company at the Old Vic in 1997--was produced by The Public Theater/New York Shakespeare Festival in New York City in 2001. The volume also contains an Introduction by Stoppard that indicates some of the problems translators have faced since the first English language Seagull in 1909
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The play begins with Max and Charlotte, a couple whose marriage seems about to rupture. But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage by her husband, Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing?In The Real Thing, Tom Stoppard combines his characteristically brilliant wordplay and wit with flashes of insight that illuminate the nature--and the mystery--of love, creating a multi-toned play that challenges the mind while searching out the innermost secrets of the heart.
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Travesties was born out of Stoppard's noting that in 1917 three of the twentieth century's most crucial revolutionaries -- James Joyce, the Dadaist founder Tristan Tzara, and Lenin -- were all living in Zurich. Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.
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Culled from nearly 20 years of the playwright's career, a showcase for Tom Stoppard's dazzling range and virtuosic talent, The Real Inspector Hound and Other Plays is essential reading for fans of modern drama. The plays in this collection reveal Stoppard's sense of fun, his sense of theater, his sense of the absurd, and his gifts for parody and satire. They include The Real Inspector Hound, After Margritte, Dirty Linen, New-Found-Land, Dogg's Hamlet, and Cahoot's Macbeth.
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It is 1936 and A. E. Housman is being ferried across the river Styx, glad to be dead at last. The river that flows through Tom Stoppard’s The Invention of Love connects Hades with the Oxford of Housman’s youth: High Victorian morality is under siege from the Aesthetic movement, and an Irish student named Wilde is preparing to burst onto the London scene. On his journey the elder Housman confronts the younger version of himself and his memories of the man he loved his entire life, Moses Jackson –– the handsome athlete who could not return his feelings.
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With his characteristically brilliant wordplay and extraordinary scope, Tom Stoppard has in Hapgood devised a play that “spins an end-of-the-cold-war tale of intrigue and betrayal, interspersed with explanations of the quixotic behavior of the electron and the puzzling properties of light” (David Richards, The New York Times). It falls to Hapgood, an extraordinary British intelligence officer, to try to unravel the mystery of who is passing along top-secret scientific discoveries to the Soviets, but as she does so, the web of personal and professional betrayals—doubles and triples and possibly quadruples—continues to multiply.
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DallianceUndiscovered CountryRough CrossingOn the RazzleThe SeagullThis fourth volume of Tom Stoppard's work for the stage brings together five of his most celebrated translations and adaptations of plays by Arthur Schnitzler (Dalliance and Undiscovered Country), Ferenc Molnar (Rough Crossing, a classic farce set aboard an ocean liner), Johann Nestroy (On the Razzle, a mad chase through Vienna), and Anton Chekhov (The Seagull, the classic Russian country tale). According to The Times of London, "Adaptation in Stoppard's terms means finding a sympathetic text and using it as a springboard for invention that leaves the original far behind." In adapting these plays--some classics, some nearly forgotten--for the modern stage, Tom Stoppard has added his own unique elements of dazzling wit and verbal brilliance, hilarious parody and cutting satire, to create works that stand as exceptional works of theater that do not belong to any one age.
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Plays Three:A Separate PeaceTeethAnother Moon Called EarthNeutral GroundProfessional FoulSquaring the CircleIntroduced by the author, this third collection of plays written by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's writing for the small screen is comparable to his more celebrated stage work, as the masterly and timely Professional Foul demonstrates. In his introduction the author briefly describes how the pieces came to be written and the circumstances of their original production.
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Leipzig, Germany, 1722: Johann Kuhnau, revered organist of the Thomaskirche, suddenly dies, leaving his post vacant. In order to fill the position, the city council invites a small number of musicians to audition for the appointment, including Johann Sebastian Bach. This, however, is not his story. Based on actual events, Bach at Leipzig imagines with uncommon intelligence and wit how six little-known musicians resorted to bribery, blackmail, and betrayal in an attempt to secure the most coveted musical post in all of Europe.
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Murder, marriage and metaphysics—the three elements that link the bizarre series of events in Tom Stoppard’s high-spirited comedy, Jumpers. The protagonists include George Moore, an aging professor of moral philosophy whose quest to compose a lecture on ‘Man—Good, Bad or Indifferent’ is put on hold while he ponders the existence of his sock; his youthful wife Dotty, a former musical star on a downward spiral whose charm may explain the corpse in the next room; George’s specially trained hare, Thumper; and a chorus of poorly-trained gymnasts whose exploits set the stage for this topsy-turvy world.
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Plays Two:
The Dissolution of Dominic Boot
'M' is for Moon Among Other Things
If You're Glad I'll Be Frank
Albert's Bridge
Where Are They Now?
Artist Descending a Staircase
The Dog It Was That Died
In the Native State
Introduced by the author, this second collection of work by Tom Stoppard contains his radio plays, written between 1964 and 1991. These plays reflect the full range of Stoppard's gifts as well as his craftsmanship and versatility. His work for radio complements (and sometimes prefigures) his work for the stage.
Included in this volume is In the Native State, which became the stage play Indian Ink.
Albert's Bridge won the Italia Prize and In the Native State won a Sony Award.
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Winner of the Laurence Olivier Best New Comedy award, in Tom Stoppard’s hilarious and poignant translation of Gérald Sibleyras' Heroes, we meet three World War I veterans who pass their monotonous filled days in a military hospital by engaging in verbal battles of long-forgotten military campaigns, grumblings about the staff, and reflections on their lives. Henri is afflicted by a gammy leg, Gustave suffers from agoraphobia, and Philippe passes out because of a piece of shrapnel lodged in his brain. Their cantankerous camaraderie becomes strained when Gustave conjures up an escape plan. Looking over the cemetery to the poplars beyond, they dream of freedom. Will today be the day they finally make it to Indochina or perhaps only as far as the top of the hill?
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Voyage is the first part of The Coast of Utopia, Tom Stoppard's long-awaited and monumental trilogy that explores a group of friends who came of age under the Tsarist autocracy of Nicholas I, and for whom the term intelligentsia was coined. Among them are the anarchist Michael Bakunin, who was to challenge Marx for the soul of the masses; Ivan Turgenev, author of some of the most enduring works in Russian literature; the brilliant, erratic young critic Vissarion Belinsky; and Alexander Herzen, a nobleman's son and the first self-proclaimed socialist in Russia, who becomes the main focus of this drama of politics, love, loss, and betrayal. In The Coast of Utopia, Stoppard presents an inspired examination of the struggle between romantic anarchy, utopian idealism, and practical reformation.