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Books : Literature & Fiction : Authors, A-Z : ( S ) : Styron, William
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"[One morning] in the early spring, I woke up with the remembrance of a girl I'd once known, Sophie. It was a very vivid half-dream, half-revelation, and all of a sudden I realized that hers was a story I had to tell." That very day, William Styron began writing the first chapter of Sophie's Choice.
First published in 1979, this complex and ambitious novel opens with Stingo, a young southerner, journeying north in 1947 to become a writer. It leads us into his intellectual and emotional entanglement with his neighbors in a Brooklyn rooming house: Nathan, a tortured, brilliant Jew, and his lover, Sophie, a beautiful Polish woman whose wrist bears the grim tattoo of a concentration camp...and whose past is strewn with death that she alone survived.
"Sophie's Choice is a passionate, courageous book...a philosophical novel on the most important subject of the twentieth century," said novelist and critic John Gardner in The New York Times Book Review. "One of the reasons Styron succeeds so well in Sophie's Choice is that, like Shakespeare (I think the comparison is not too grand), Styron knows how to cut away from the darkness of his material, so that when he turns to it again it strikes with increasing force....Sophie's Choice is a thriller of the highest order, all the more thrilling for the fact that the dark, gloomy secrets we are unearthing one by one--sorting through lies and terrible misunderstandings like a hand groping for a golden nugget in a rattlesnake's nest--may be authentic secrets of history and our own human nature."
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its
emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-
gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. -
In 1831 Nat Turner awaits death in a Virginia jail cell. He is a slave, a preacher, and the leader of the only effective slave revolt in the history of 'that peculiar institution'. William Styron's ambitious and stunningly accomplished novel is Turner's confession, made to his jailers under the duress of his God. Encompasses the betrayals, cruelties and humiliations that made up slavery - and that still sear the collective psyches of both races.
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William Styron traces the betrayals and infidelities--the heritage of spite and endlessly disappointed love--that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.
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After the great success in 1990 of Darkness Visible, his memoir of depression and recovery, William Styron wrote more frequently in an introspective, autobiographical mode. Havanas in Camelot brings together fourteen of his personal essays, including a reminiscence of his brief friendship with John F. Kennedy; a recollection of the power and ceremony on display at the inauguration of François Mitterrand; memoirs of Truman Capote, James Baldwin, and Terry Southern; a meditation on Mark Twain; an account of Styron’s daily walks with his dog; and an evocation of his summer home on Martha’s Vineyard.
Styron’s essays touch on the great themes of his fiction–racial oppression, slavery, and the Holocaust–but for the most part they address other subjects: bowdlerizations of history, literary lists, childhood moviegoing, the censoring of his own work, and the pursuit of celebrity fetish objects.
These essays, which reveal a reflective and humorous side of Styron’s nature, make possible a fuller assessment of this enigmatic man of American letters. -
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Two extraordinary works about soldiers in a time of dubious peace by a writer of vast eloquence and moral authority. With stylistic panache and vitriolic wit, William Styron depicts conflicts between men of somewhat more than average intelligence and the military machine. In The Long March, a novella, two Marine reservists fight to retain their dignity while on a grueling exercise staged by a posturing colonel. The uproariously funny play In the Clap Shack charts the terrified passage of a young recruit through the prurient inferno of a Navy hospital VD ward. In both works, Styron wages a gallant defense of the free individual--and serves up a withering indictment of a system that has no room for individuality or freedom.
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In this brilliant collection of "long short stories, " the Pulitzer Prize-winning author of Sophie's Choice returns to the coastal Virginia setting of his first novels. Through the eyes of a man recollecting three episodes from his youth, William Styron explores with new eloquence death, loss, war, and racism.
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This is a selection of interviews with William Styron published during the period 1951-1984, from the months just following publication of Lie Down in Darkness, his first novel, to the period after publication of Sophie's Choice. Some twenty-five interviews are reprinted here, including six that are translated from the French and published in this country for the first time.
Styron is one of the most frequently interviewed writers of his generation. Unlike Faulkner, to whom he was often compared early in his career, Styron has learned to be a patient and cooperative interview subject. His comments in these interviews reveal much about the sources of his fiction and about his early life. He also reacts to attacks on his work, comments on his mission as a writer, and describes his compositional habits.
This is a useful collection for those who wish to know Styron better and to be guided by his conversations to clearer insights into his writing. For scholars and for general readers alike it will have much appeal. It gives the reader a sense of being in Styron's presence, of enjoying his flashes of wit and intellect, and of realizing how remarkable his achievement has been and how universally he is admired.
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From 1947 to 1949, William Styron twice attempted to write a novel under the working title Inheritance of Night. On the third attempt he produced the award-winning Lie Down in Darkness, which when published in September 1951 established him as one of the most promising writers of his generation. Duke University Press is proud to publish, in facsimile form, the long-lost drafts of Styron's earliest versions of Lie Down in Darkness.
Although Styron began the narrative twice, he realized both times that his writing was derivative and his characters not yet fully conceived. These drafts show young Stryon feeling his way into the story with various narrative voices and strategies, and attempting to work out his plot. Influence from William Faulkner, F. Scott Fitzgerald, and Robert Penn Warren is apparent in the text, and there is a character present named Marcus Bonner who is an early rendition of Stingo in Sophie's Choice.
The typescript drafts of Inheritance of Night for many years were thought to have been lost, but in 1980 were discovered in the files of one of Styron's former literary agents. These drafts, eventually made their way to the archive of Styron's papers assembled at Duke University Library. This facsimile is published here in two different limited editions for collectors: a lettered, signed, and boxed edition (26 copies) and a numbered, signed edition (250). A general interest trade volume is also available.
With a preface by Styron and an introduction by James L. W. West III, these drafts afford much insight into the creation of Lie Down in Darkness and the writing of a major twentieth-century American writer. -
In the blaze of a Carolina summer, among the poison ivy and loblolly pines, eight Marines are killed almost casually by misfired mortar shells. Deciding that his batallion has been "doping off," Colonel Templeton calls for a 36-mile forced march to inculcate discipline. THE LONG MARCH is a searing account of this ferocious ordeal--and of the two officers who resist.
First published in 1953, this remarkable short novel established the author as a major new American writer.
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