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Books : Literature & Fiction : Authors, A-Z : ( Y ) : Yeats, William Butler
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I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined. I have, however, been at no pains to separate my own beliefs from those of the peasantry, but have rather let my men and women, dhouls and færies, go their way unoffended or defended by any argument of mine. The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, and shall be well content if it do not unbecome me. Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle. O beloved daughter of Hope and Memory, be with me for a little.
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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An illuminating collection of inspirational poems by a Nobel Laureate
While traveling through one of the poorest regions in India, W. B. Yeats was amazed to discover the women in the tea fields singing the songs and poems of Rabindranath Tagore. This striking scene led the great Irish poet to appreciate the depth of India's far-reaching tradition of poetry and the fame of this one Indian poet. Tagore's work is without equal and plays an eminent role in twentieth century Indian literature.The publication of the English edition of Gitanjali in 1911 earned Rabindranath Tagore the Nobel Prize in literature. A collection of over one hundred inspirational poems, Gitanjali covers the breadth of life's experiences, from the quiet pleasure of observing children at play to a man's struggle with his god. These are poems that transcend time and place.
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No other series of classic texts achieves the editorial standard of the Norton Critical Editions. Each volume combines the most authoritative text available with contextual and critical materials that bring the work to life for students. Careful editing, first-rate translation, thorough explanatory annotations, chronologies, and selected bibliographies make each text accessible to students while encouraging in-depth study. Each volume in the series is printed on acid-free paper, and every text remains in print. Norton Critical Editions are the choice of excellence for scholarship for students at more than 2,500 colleges and universities worldwide.
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Throughout his long life, William Butler Yeats -- Irish writer and premier lyric poet in English in this century -- produced important works in every literary genre, works of astonishing range, energy, erudition, beauty, and skill. His early poetry is memorable and moving. His poems and plays of middle age address the human condition with language that has entered our vocabulary for cataclysmic personal and world events. The writings of his final years offer wisdom, courage, humor, and sheer technical virtuosity. T. S. Eliot pronounced Yeats "the greatest poet of our time -- certainly the greatest in this language, and so far as I am able to judge, in any language" and "one of the few whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them."
The Yeats Reader is the most comprehensive single volume to display the full range of Yeats's talents. It presents more than one hundred and fifty of his best-known poems -- more than any other compendium -- plus eight plays, a sampling of his prose tales, and excerpts from his published autobiographical and critical writings. In addition, an appendix offers six early texts of poems that Yeats later revised. Also included are selections from the memoirs left unpublished at his death and complete introductions written for a projected collection that never came to fruition. These are supplemented by unobtrusive annotation and a chronology of the life.
Yeats was a protean writer and thinker, and few writers so thoroughly reward a reader's efforts to essay the whole of their canon. This volume is an excellent place to begin that enterprise, to renew an old acquaintance with one of world literature's great voices, or to continue a lifelong interest in the phenomenon of literary genius.
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The nineteenth autumn has come upon me Since I first made my count; I saw, before I had well finished, All suddenly mount And scatter wheeling in great broken rings Upon their clamorous wings.
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This compelling collection spans Yeats's career: from the poems of his early years, which display his interest in Irish myths and his hopeless passion for Irish patriot Maud Gonne, to the soaring, majestic poems of his old age. Works of precision, economy and sensuous, lyrical beauty, they include "The Lake Isle of Innisfree," "The Wild Swans at Coole," "Byzantium," and "Leda and the Swan."
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One of the greatest poets of the century, Yeats drew upon Irish folklore and myth as inspiration for much of his early poetry. Mythic themes and others are masterfully explored in this rich selection of 134 poems published between 1889 and 1914. Included are such favorites as "Lake Isle of Innisfree," "When You Are Old," "Down by the Salley Gardens," "The Stolen Child," "Fergus and the Druid," "To the Rose upon the Rood of Time," "The Song of Wandering Aengus," "The Fascination of What’s Difficult" and many more. Note. Alphabetical lists of titles and first lines.
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Compiling nineteen essays and introductions, a volume with explanatory notes includes Per Amica Silentia Lunae and On the Boiler as well as introductions on Shelley and Balzac and essays on Irish poetry and politics.
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This selection of Blake's work was commissioned in 1905 by the firm of George Routledge from W.B. Yeats. Yeats, one of the few poets comparable to Blake, prepared a unique selection of his poetic and prose writings.
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Immortal verses by one of the 20th century’s greatest poets appear in this compilation of all the poems from The Wild Swans at Coole (1919) and Michael Robartes and the Dancer (1921). Includes "The Second Coming," "A Prayer for My Daughter," "An Irish Airman Foresees His Death," many more.
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The Collected Works of W. B. Yeats, Volume III: Autobiographies is part of the fourteen-volume series overseen by eminent Yeats scholars Richard J. Finnerah and George Mills Harper. The series includes virtually all of the Nobel laureate's published work, with authoritative and explanatory notes.
Autobiographies consists of six autobiographical works -- Reveries Over Childhood and Youth, The Trembling of the Veil, Dramatis Personae, Estrangement, The Death of Synge, and The Bounty of Sweden -- that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays.
Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
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As a young man, William Butler Yeats was deeply affected by the idea of romantic love, or, as he called it, "the old high way of love." Characteristically, much of his early poetry that which was written prior to 1910, is poetry that belongs to courtship.
When Yeats was twenty-three years old, he met and fell in love with the beautiful Irish nationalist, Maud Gonne. Although she repeatedly refused to marry Yeats, Maud would become the object of his passion and his poetry. The emotional power in many of Yeats' early poems is shaped by the one-sidedness of his affair with Maud, but the poems themselves remain hopeful and bitter-sweet, pure in their language and attitudes about love.
The forty-one poems collected in A Poet to his Beloved represent some of Yeats's most evocative and passionate early love poems. These versed are simple, lyrical, and often dreamy, and they speak knowingly of innocence and beauty, passion and desire, devotion and the fear of rejection.
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The Collected Works of W.B. Yeats Vol. VI: Prefaces and Introductions (Collected Works of W B Yeats)
Arranged together for the first time, thirty-two introductions by W. B. Yeats to the works of such literary greats as William Blake, J.M. Synge, Lady Gregory, Oscar Wilde and more.
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The first edition of W. B. Yeats's The Tower appeared in bookstores in London on Valentine's Day, 1928. His English publisher printed just 2,000 copies of this slender volume of twenty-one poems, priced at six shillings. The book was immediately embraced by book buyers and critics alike, and it quickly became a bestseller.
Subsequent versions of the volume made various changes throughout, but this Scribner facsimile edition reproduces exactly that seminal first edition as it reached its earliest audience in 1928, adding an introduction and notes by esteemed Yeats scholar Richard J. Finneran.
Written between 1912 and 1927, these poems ("Sailing to Byzantium," "Leda and the Swan," and "Among School Children" among them) are today considered some of the best and most famous in the entire Yeats canon. As Virginia Woolf declared in her unsigned review of this collection, "Mr. Yeats has never written more exactly and more passionately."
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The Collected Works of W. B. Yeats, Volume II: The Plays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes.
The Plays, edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations.
Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist.
In The Plays, David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from The Countess Cathleen to The Death of Cuchulain.
The Plays enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.
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The Collected Works of W. B. Yeats, Volume XIII: A Vision is part of a fourteen-volume series under the general editorship of eminent Yeats scholar George Bornstein and formerly the late Richard J. Finneran and George Mills Harper. One of the strangest works of literary modernism, A Vision is Yeats's greatest occult work.Edited by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the volume presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife George (née Hyde Lees) received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the book, and the revised 1937 version is much more widely available than its predecessor. The original 1925 version of A Vision, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural origin, is presented here in a scholarly edition for the first time.
The text, minimally corrected to retain the sense of the original, is extensively annotated, with particular attention paid to the relationship between the published book and its complex genetic materials. Indispensable to an understanding of the poet's late work and entrancing on its own merit, A Vision aims to be, all at once, a work of theoretical history, an esoteric philosophy, an aesthetic symbology, a psychological schema, and a sacred book. It is as difficult as it is essential reading for any student of Yeats.
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Like the Psalms of David, "Gitanjali" is a soothing balm to the spirit. In the words of W.B. Yeats, who contributed greatly to the exposure of Tagore to the Western world and subsequently to Tagore's award for the Nobel prize in Literature, "...these prose translation from Rabindranath Tagore have stirred my blood as nothing has for years..." "Gitanjali" is a collection of prose poems by Indian author Rabindranath Tagore. Tagore, who wrote poetry in Bengali, translated "Gitanjali" himself into English. This English version of "Gitanjali" is a series of prose poems that reflect on the interrelationships among the poet/speaker, the deity, and the world. Although Tagore had a Hindu background, the spirituality of this book is generally expressed in universal terms so that Christians, Buddhists, Muslims, or those of other faiths could find much that resonates in "Gitanjali." The language in "Gitanjali" is often very sensuous and beautiful, and sometimes embraces paradox. "Gitanjali," which is translated "Song Offerings," was written with the Creator in mind and reflects Tagore's wish to be united with the Creator. It is hard to read Tagore's poetry without missing his show of devotion and love for the Creator using various metaphorical subjects like flowers, rivers etc. One cannot but admire the beauty and art in it. Rabindranath Tagore was a polymath: a poet, fiction writer, dramatist, painter, educator, political thinker, philosopher of science. He was also a genius in music, choreography, architecture, social service and statesmanship. Over six decades Tagore gave the world some 2,500 songs, more than 2,000 paintings and drawings, 28 volumes of poetry, drama, opera, short stories, novels, essays and diaries and a vast number of letters.