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Books : Literature & Fiction : Authors, A-Z : ( Z ) : Zola, Emile
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Written as a "passport to the Academy," this novel stands alone among the Rougon-Macquart series for its pure, idyllic grace. Angelique, a daughter of Sidonie Rougon (La Curee), had been deserted by her mother, and was adopted by a maker of ecclesiastical embroideries, who with his wife lived and worked under the shadow of an ancient cathedral. In this atmosphere the child grew to womanhood, and as she fashioned the rich embroideries of the sacred vestments she had a vision of love and happiness which was ultimately realized, though the realization proved too much for her frail strength... The vast cathedral with its solemn ritual dominates the book and colours the lives of its characters. (J. G. Patterson)
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Little known in this country until its republication by Sun & Moon Press, The Belly of Paris is one of Émile Zola’s most fascinating and exciting novels—a book of culinary treats.
Translated by Zola’s original English publisher, Ernest Alfred Vizetelly.
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Unjustly deported to Devil's Island following Louis-Napoleon's coup-d'�tat in December 1851, Florent Quenu escapes and returns to Paris. He finds the city changed beyond recognition. The old March� des Innocents has been knocked down as part of Haussmann's grand program of urban reconstruction, replaced by Les Halles, the spectacular new food markets. Disgusted by a bourgeois society whose devotion to food is inseparable from its devotion to the Government, Florent attempts an insurrection. Les Halles, apocalyptic and destructive, play an active role in Zola's picture of a world in which food and the injustice of society are inextricably linked.
This is the first English translation in fifty years of Le Ventre de Paris (The Belly of Paris). The third in Zola's great cycle, Les Rougon-Macquart, it is as enthralling as Germinal, Th�r�se Raquin, and the other novels in the series. Its focus on the great Paris food hall, Les Halles--combined with Zola's famous impressionist descriptions of food--make this a particularly memorable novel. Brian Nelson's lively translation captures the spirit of Zola's world and his Introduction illuminates the use of food in the novel to represent social class, social attitudes, political conflicts, and other aspect of the culture of the time. The bibliography and notes ensure that this is the most critically up-to-date edition of the novel in print.
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La Fortune des Rougon, originally published in 1871, is the first novel in Émile Zola's monumental twenty-volume series Les Rougon-Macquart. The novel is partly an origin story, with a huge cast of characters swarming around - many of whom become the central figures of later novels in the series - and partly an account of the December 1851 coup d'état which created the French Second Empire under Napoleon III as experienced in a large provincial town in southern France.
La Fortune des Rougon, http://en.wikipedia.org/w/index.php?title=La_Fortune_des_Rougon&oldid=292411280 (last visited May 26, 2009).
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Conservative and working-class, Jean Macquart is an experienced, middle-aged soldier in the French army, who has endured deep personal loss. When he first meets the wealthy and mercurial Maurice Levasseur, who never seems to have suffered, his hatred is immediate. But after they are thrown together during the disastrous Franco-Prussian war of 1870-71, the pair are compelled to understand one other. Forging a profound friendship, they must struggle together to endure a disorganised and brutal war, the savage destruction of France's Second Empire and the fall of Napoleon III. One of the greatest of all war novels, "The Debacle" is the nineteenth novel in Zola's great Rougon-Macquart cycle. A forceful and deeply moving tale of close friendship, it is also a fascinating chronicle of the events that were to lead, in the words of Zola himself, to the murder of a nation'.
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At last he was rid of his crime. He had killed Camille. It was a matter that was settled, and would be spoken of no more. He was now going to lead a tranquil existence, until he could take possession of Therese. The thought of the murder had at times half choked him, but now that it was accomplished, he felt a weight removed from his chest, and breathed at ease, cured of the suffering that hesitation and fear had given him.
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Through charm, drive, and diligent effort Octave Mouret has become the director of one of the finest new department stores in Paris, Au Bonheur des Dames. Supremely aware of the power of his position, Mouret seeks to exploit the desire that his luxuriantly displayed merchandise arouses in the ladies who shop, and the aspirations of the young female assistants he employs. Charting the beginnings of the capitalist economy and bourgeois society, Zola captures in lavish detail the greedy customers and gossiping staff, and the obsession with image, fashion, and gratification that was a phenomenon of nineteenth-century French consumer society. Of all Zola's novels, this may be the one with the most relevance for our own time.
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"The Fat and the Thin" is a study of the teeming life which surrounds the great central markets of Paris. The heroine is Lisa Quenu, a daughter of Antoine Macquart (see The Fortune of the Rougons). She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. The book contains vivid pictures of the markets, bursting with the food of a great city, and of the vast population which lives by handling and distributing it. "But it also embraces a powerful allegory," writes Mr. E. A. Vizetelly in his preface to the English translation, "the prose song of the eternal battle between the lean of this world and the fat - a battle in which, as the author shows, the latter always come off successful. M. Zola had a distinct social aim in writing this book." (J. G. Patterson)
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The thirteenth novel in Émile Zola’s great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity’s capacity for compassion and hope.
Etienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Forced to take a back-breaking job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry, and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all.
- New translation
- Includes introduction, suggestions for further reading, filmography, chronology, explanatory notes, and glossary
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Émile Zola (1840-1902), né à Paris, est un écrivain, journaliste et homme public français, considéré comme le chef de file du naturalisme. C’est l’un des romanciers français les plus universellement populaires, l’un des plus publiés et traduits au monde, le plus adapté au cinéma et à la télévision. Sa vie et son oeuvre ont été étudiés dans le détail par la science historique. Sur le plan littéraire, il est principalement connu pour Les Rougon-Macquart, monumentale fresque romanesque en vingt volumes dépeignant la société française du second empire. Les dernières années de sa vie sont marquées par son engagement dans son époque, lors de l’affaire Dreyfus, dans laquelle il joue un r‘le décisif par la publication du plus célèbre article de la presse française: J’Accuse…! (1898).
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The Ladies Paradise (Au Bonheur des Dames) recounts the rise of the modern department store in late nineteenth-century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family: it is emblematic of changes in consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. This new translation of the eleventh novel in the Rougon-Macquart cycle captures the spirit of one of Zola's greatest works.
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The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist who has come from the provinces to conquer Paris but is conquered instead by the flaws of his own genius. Set in the 1860s and 1870s, it is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. It provides a unique insight into Zola's career as a writer and his relationship with Cezanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public.
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Born to drunken parents in the slums of Paris, Nana lives in squalor until she is discovered at the Theatre des Varietes. She soon rises from the streets to set the city alight as the most famous high-class prostitute of her day. Rich men, Comtes and Marquises fall at her feet, great ladies try to emulate her appearance, lovers even kill themselves for her. Nana's hedonistic appetite for luxury and decadent pleasures knows no bounds - until, eventually, it consumes her. "Nana" provoked outrage on its publication in 1880, with its heroine damned as 'the most crude and bestial sort of whore', yes the language of the novel makes Nana almost a mythical figure: a destructive force preying on a corrupt society.
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Publié en 1878, Une Page d’amour, huitième du roman-fleuve Les Rougon-Macquart du romancier Émile Zola, est l’un des romans moins connus, peut-être parce qu’on n’y rencontre pas les thèmes de la violence naturaliste. Dans ce volume Zola s’interesse surtout aux troubles psychologiques d’une enfant lorsqu’elle commence la puberté.
Né à Paris le 2 avril 1840, mort à Paris le 29 septembre 1902, c’est l’un de romanciers français plus célèbres du XIX siècle. Zola est considéré le maître du naturalisme littéraire. Auteur de nombreux romans, y compris le grand cycle de Les Rougon-Macquart, une espèce de comédie humaine, Zola tire de ses difficultés matérielles ses idées naturalistes de la société. Les dernières années de sa vie son marquées par l’affaire Dreyfus.
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This title is part of the "Les Rougon-Macquart" series which tells about two branches of a French family traced through several generations. The behaviour of the two families is shown to be conditioned by environment and inherited characteristics, chiefly drunkenness and mental instability.
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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From the Rougon-Macquart Series: Money (L'Argent): After a disastrous speculation, Aristide Saccard was forced to sell his mansion and to cast about for means of creating a fresh fortune. Chance made him acquainted with Hamelin, an engineer whose residence in the East had suggested to him financial schemes which at once attracted the attention of Saccard. With a view to financing these schemes the Universal Bank was formed, and by force of advertising became immediately successful. Emboldened by success, Saccard launched into wild speculation... --- "Judged by the standard of popularity, 'Money' may be said to rank among M. Zola's notable achievements... This is not surprising, as the book deals with a subject of great interest to every civilized community. And with regard to this English version, it may, I think, be safely said that its publication is well timed, for the rottenness of our financial world has become such a crying scandal, and the inefficiency of our company laws has been so fully demonstrated, that the absolute urgency of reform can no longer be denied." (Ernest Alfred Vizetelly)
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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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La Bete humaine (1890), the seventeenth novel in the Rougon-Macquart series, is one of Zola's most violent and explicit works. On one level a tale of murder, passion, and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his 'most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.