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Books : Literature & Fiction : Drama : Playwrights, A-Z : ( J )
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A re-issue of three plays that ushered in the great age of absurdist theatre
There was a riot at the first performance of Ubu Roi on 10 December 1896, when Firmin Gemier, playing Ubu, strode to the footlights and roared: "Merde!" at the audience, and theatre would never be the same again. Ubu became a force to be reckoned with in literature, art and politics. Jarry wrote more exploits for him and took to acting the role of Ubu himself in his own brief, strange life.
This volume contains lively modern translations by Cyril Connolly and Simon Watson Taylor of Ubu Roi, Ubu Cocu and Ubu Enchaîné as well as Jarry's writings on theatre."The Ubu explosion sent shrapnel flying into the next century. Dada, Surrealism, Pataphysics, Theatre of Cruelty, the Absurd - all owe a debt to Jarry." (Charles Marowitz, Encore)
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A stunning, controversial work that immediately outraged audiences with its scatological references during the 1896 premiere, the farce satirizes the tendency of the successful bourgeois to abuse his authority and become irresponsibly complacent. Championed by Dadaists and Surrealists as the first absurdist drama, Ubu Roi features a main character that is cruel, gluttonous, and grotesque--the author's metaphor for modern man.
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Written between 1890 and 1917, three landmark French plays--Maeterlinck's THE BLIND, Jarry's UBU THE KING, and Apollinaire's THE MAMMARIES OF TIRESIAS--surprised and shocked their first audiences and still continue to do so today. This edition provides new translations sensitive to crucial linguistic features, such as rhyme and pun, and contains the only editions of Maeterlinck and Appollinaire's plays in print. Illustrated .
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drama, tr Antony Melville
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Alfred Jarry's work was a cannon shot fired at the French literary establishment at the end of the nineteenth century. His play "Ubu Roi" set off a riot, announcing the advent of surrealism, absurdist drama and the avant garde. Newly translated by Richard Henrich, Love Making Visits uses a framework of amorous trysts to paint a protagonist ripening from a cocksure fifteen year old, with a passion for experimentation, to a taster of many varieties of love, conventional and bizarre. Metamorphosing through symbolist and hallucinatory stages, he arrives transformed into the epically absurd figure of Ubu. He is at once comical, rapacious, and bombastic, an anti-hero and destroyer of convention.Beautifully written, expertly translated from the French, this novel is a wildly comical yet profoundly poetic journey, one that is at once despairing and ecstatic. It is presented here in English and in a newly edited French text.
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