Shop Categories
- ( D )
- Frankenthaler, Helen
- UML
- Caribbean & Latin American
- Beaton, M.C.
- Airbrush
- Thomsen, Brian
- Goonan, Kathleen Ann
- Hoag, Tami
- Cat Sleuths
- Polar Regions
- Nin, Anais
- Suzuki, Shunryu
- Fiction
- Hughes, Langston
- Poetry
- Audiobooks
- Relativity
- Anthologies
- Metaphysics
- Number Systems
- CAD
- Houston
- Apes & Monkeys
- Classics
- Jackson, Steve
- Gasoline & Diesel
- Montgomery, Lucy Maud
- Haldeman, Jack C.
- Fiedler, Arthur
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
Books : Literature & Fiction : Authors, A-Z : ( J ) : Jonson, Ben
-
This edition brings together Jonson's four great comedies Volpone, Epicene, The Alchemist, and Bartholomew Fair. The texts of these plays have all been newly edited for this volume, and are presented with modernized spelling. Stage directions have been added to help actors and directors reconstruct the play the way it would have been performed in the seventeenth century, and the introduction, notes, and glossary further bring to life these timeless comedies for the modern reader.
-
![The Roaring Girl and Other City Comedies [The Shoemaker's Holiday, Every Man In His Humour, Eastward Ho!] (Oxford English Drama)](http://ecx.images-amazon.com/images/I/51Q7Z4FMPEL._SL160_.jpg)
This excellent volume brings together four of the most popular, most frequently studied and performed comedies that depict city life, by Thomas Dekker, Thomas Middleton, Ben Jonson and their contemporaries. Included are The Roaring Girl, The Shoemaker's Holiday, Eastward Ho!, and Every Man in His Humour. The text is freshly edited using modern spelling. A critical introduction, a wide-ranging annotation, and an informative bibliography illuminate the plays' cultural contexts and theatrical potential for reader and performer alike.
-
Enough. Now, Cutbeard, with the same discipline I use to my family, I will question you. As I conceive, Cutbeard, this gentlewoman is she you have provided, and brought, in hope she will fit me in the place and person of a wife? Answer me not, but with your leg, unless it be otherwise.
-
This fully annotated and modernized collection of plays--including Every Man in his Humour, Sejanus, Volpone, The Alchemist, and Bartholomew Fair--represents the full range and complexity of Jonson's art as a playwright.
-
This collection features three of Jonson's masterpieces: Volpone, Epicoene, and The Alchemist. Also included are three masques: Mercury Vindicated from the Alchemist at Court, Pleasure Reconciled to Virtue, and—new to the Second Edition—The Masque of Blackness, Jonson's first masque and one that deals with issues of interest to contemporary culture. Each text includes expanded annotations. Jonson on His Work collects statements by the author on plays and on poetry taken from some of the plays, from Discoveries, and from Conversations with William Drummond of Hawthornden. Contemporary Readers on Jonson includes tributes and poems about the author and his work. A new section—Backgrounds and Sources"—includes selections from texts that helped shaped the dramatist's vision. Criticism includes twelve essays—nine of them new to the Second Edition—by Jonas A. Barish, Robert C. Evans, Anne Barton, John Dryden, Robert Watson, Edward B. Partridge, Ian Donaldson, Richard Harp, D. J. Gordon, Stephen Orgel, John Mulryan, and Leah S. Marcus.About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
-
These much-studied and frequently performed comedies by the great Elizabethan playwright satirize the greed, mendacity, gullibility, and pretension that Jonson saw rampant in 17h-century London society. Both plays feature colorful characters, ingenious plotting, biting wit, and sharp insight into human nature. This is the only edition to include both plays in one, inexpensive volume.
-
Ben Jonson is, in many ways, the figure of greatest centrality to literary study of the Elizabethan and Jacobean period. He wrote in virtually every literary genre: in drama, comedy, tragedy and masque; in poetry, epigram, and lyric; in prose, literary criticism and English grammar. This Companion brings together leading scholars from both sides of the Atlantic to provide an accessible, up-to-date introduction to Jonson's life and works. It represents an invaluable guide to current critical perspectives, providing generous coverage not only of his plays but also his non dramatic works.
-
The three plays collected in this volume depict the faults, errors and foibles of ordinary people with exuberant humour, savage satire and acute observations. "Volpone" portrays a rich Venetian who pretends to be dying so that his despised acquaintances will flock to his bedside with extravagant gifts in hope of an inheritance. "The Alchemist" also deals with greed and gullibility, as a rascally trio of confidence tricksters, claiming to have the legendary Philosopher's Stone, fool a series of victims who are hoping to make some easy money. And in a wonderfully energetic portrait of Jacobean life, "Bartholomew Fair" shows a diverse group of Londoners sampling the delights and temptations of the Fair - and the traders, prostitutes and cutpurses who set out to exploit them.
-
Renaissance comedy, first performed in 1605. Includes complete text in modernized English, critical and explanatory notes and Introduction. From the Yale Ben Jonson edition.
-
Bartholomew Fair is the climactic play of Ben Jonson's great comic period. Using the fair as a symbolic representation of religious, social, and political conflicts in Jacobean England, Jonson satirizes Puritans, fortune hunters, country bumpkins, and inept representatives of the justice system, along with sharpsters and con men who inhabit the fair. This edition is the first to use the findings of feminist scholarship in examining the play's concern with forced marriage, pregnancy, sexual commerce, and widowhood.
-
Jonson's Every Man Out of His Humour is a comical satire about envy and aspiration among the ambitious middle classes, who seek happiness in fame and material fortune. This first critical edition of the play conveys early modern obsessions with wealth and self-display through historical contexts. The book offers an intriguing look at the course of urban comedy, and a wealth of information about social relationships and colloquial language at the end of the Elizabethan period.
-
The Renaissance court masque, traditionally an entertainment of music, dancing, pageantry, and spectacular scenic effects, was transformed by Ben Jonson into a serious mode of literary expression. By using its peculiar viability as a forum for his dramatic imagination, Jonson resolved and transcended the satiric vision that was in many ways the substance of Jonsonian drama. He instructed as well as applauded his courtly audience and, with the aid of the great theatrical designer Indigo Jones, brought unity to the diverse elements of the masque, infusing them with a moral and poetic life. This modernized version of Jonson's masques is the most carefully edited and annotated text available; it is also the first one-volume edition to be published. It includes the faithful reprinting of Jonson's own glosses and notes, translated and annotated, as well as explanatory notes which offer the most detailed critical commentary ever undertaken. In the introduction, itself an important essay about the Renaissance stage, Mr. Orgel discusses Jonson's development of the masque in relation to Inigo Jones' development of the illusionistic stage.
-
`Not these are safe, where nothing is.'' Yourselfe, While thus you stand but by me, are not safe. Was Silius safe? or the good Sosia safe? Or was my Neice, deare Claudia Pulchra safe?
-
-
This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernized version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts.
-
A quintesstential selection of the dramatic work of Ben Jonson, this edition features the plays Poetaster, Sejanus, The Devil is An Ass, and New Inn. Jonson's work is renowned for its wit and biting religions and social commentary these four plays are no exception. The plays featured in this edition have been freshly edited from the earliest printed texts. The introduction focuses on the interaction between poet and state authority, and the need for new productions of these rarely performed classics from our dramatic heritage.
-
Ben Jonson's Volpone is the most widely taught and commonly performed English Renaissance play outside of Shakespeare. However, the dramatic circumstances of its writing are little known. Jonson wrote the play very shortly after the Gunpowder Plot in 1605, an event in which he was personally involved. This book argues that the play alludes to the plot as openly as censorship will allow, using the traditional form of the beast fable. As a Roman Catholic himself, Jonson shared in the repression suffered by his co-religionists in the wake of the Plot, and the play fiercely satirizes the man they chiefly blamed for this, Robert Cecil. The elaborate format which Jonson devised for the 1607 edition of Volpone, with a dedication, Epistle and numerous commendatory poems, is reproduced here photographically, allowing the reader to appreciate Jonson's covert meanings and to approach the text as those in 1607 might have done.
-
This edition of Jonson's great Roman tragedy is more intensively researched than any that has previously appeared. The text is based on extensive collation of the 1605 and 1616 versions and takes the earlier version as "copy-text." The introduction offers a radically new assessment of Jonson's "historiography" and his treatment of sources. It provides an explanation for the charge of treason leveled at Jonson over Sejanus and for which he had to answer to the Privy Council. Explanatory notes to the text provide much new information to facilitate a properly informed reading of the play.
-
Next to Shakespeare, Ben Jonson is perhaps the most widely studied Renaissance dramatist. Very few students of literature or drama would not encounter Volpone or Bartholomew Fair in the course of their studies, and there has been a recent resurgence of interest in Epicoene, or the Silent Women among gender theorists. As part of the Complete Critical Guide series, this volume offers the broadest range of information on Jonson and his works, from background on contexts to details of recent interpretations of his plays. A must for students of the Renaissance.
-