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Books : Literature & Fiction : Poetry : Poets, A-Z : ( G )
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essays & poetry (bilingual), ed Christopher Maurer
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A reissue of a landmark poetry volume with a new introduction by Pulitzer Prize winner W. S. Merwin. Bilingual.The Selected Poems of Federico García Lorca has introduced generations of American readers to mesmerizing poetry since 1955. Lorca (1898-1937) is admired all over the world for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. But Lorca's poems are, most of all, admired for their beauty. Undercurrents of his major influences—Spanish folk traditions from his native Andalusia and Granada, gypsy ballads, and his friends the surrealists Salvador Dali and Luis Buñuel—stream throughout Lorca's work. Poets represented here as translators are as diverse as Stephen Spender, Langston Hughes, Ben Belitt, William Jay Smith, and W.S. Merwin.
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Blood Wedding by Federico Garcia Lorca is a classic of Spanish literature, the tragedy of a woman loved by two men. Lorca has a searing realization of the power of desire. Brendan Kennelly rises to the challenge of how to convey this in an English translation, in language at once soaring and accurate, wild and precise. His version of Blood Wedding reveals the mysterious, intricate, passionate, and truly astonishing nature of Lorca's masterpiece.
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Raymond Carver, author of Where I'm Calling From, is widely considered one of the great short story writers of our time. A New Path to the Waterfall was Carver's last book, and shows a writer telling the truth as best as he knows how in the time left to him. The sixty-odd poems in this collection are linked by Carver with selections from other writers, most notably Chekhov, whose work was an inspiration and a guide, and by the cumulative force of the life and death questions he poses in them. As Rilke's Letters to a Young Poet guided countless readers discovering their true love and work, Carver's book will guide those in the process of celebrating a limited life and mourning the inescapable end of it. A New Path to the Waterfall is an essential book for those who admire Carver's work, and testament to the transcendent strength of the human spirit. In her introductory essay, Tess Gallagher, Carver's companion and fellow writer, lays out the circumstances of their last years together with matter-of-fact grace.
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Written while Federico García Lorca was a student at Columbia University in 1929-30, Poet in New York is one of the most important books Lorca produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.
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En la rígida España de principios de siglo, un pueblo se prepara para una gran fiesta. Pero las pasiones ocultas y la sangre que hierve bajo las pieles ardientes tuercen el rumbo de la historia. La boda tan esperada resulta en duelo, la luna se tiñe de rojo. Y la muerte, el sino trágico, se cierne sobre los actores del drama, haciendo de "Bodas de sangre" un clásico del teatro español.
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"It is impossible to read Tess Gallagher's poems without being drawn into their mesmerizing rhythms and convinced of the rightness of her intense yet unforced images." --Joyce Carol OatesTime
to put our arms around each other’s waists—my man,
my woman, my unapproachable dream.
—from “Dear Ghosts,”
In Dear Ghosts,—Tess Gallagher’s seventh collection, now in paperback—
the ghosts of the past are conjured and communed with as part of the poet’s present day: the deceased beloved, the father long dead, the ailing mother, the victims of holocaust and war. With these spirits beside her, Gallagher confronts her own illness and mortality and celebrates new love and friendship in these spare lyrics and sprawling narratives, each punctuated by her feisty resilience and signature grace.
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Garcia Lorca's long out-of-print poetic sequence about New York City is as contemporary as today's headlines: slums, racism, violence and cries of loneliness punctuate this verse. "This is one of the perplexing classics of 20th-century poetry. . . . (The collection) is a fierce indictment of the modern world incarnated in city life . . ".--"The New Yorker".
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Lorca's essential poems, in an attractive bilingual editionThis new edition of Selected Verse incorporates changes made to Federico García Lorca's Collected Poems, and will be an essential addition to any poetry lover's bookshelf. In this bilingual edition, Lorca's poetic range comes clearly into view, from the playful Suites and stylized evocations of Andalusia to the utter gravity and mystery of the final elegies, confirming his stature as one of our century's finest poets.
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"Poema del cante jondo and Romancero Gitano, the books of poems that Lorca wrote first, out of his excited response to gypsy music, poetry, and dance all around him in Granada, contain some of his most powerful and trenchant lyrical work, original, inimitable, daring, and a clear expression of the duende, the Dionysian daemon in poetry, of which he wrote eloquently. A new, fresh, consistent translation-and Mr. Angel's is all of these-is a welcome return to that wild dance, in this bilingual edition."-W.S. Merwin
Cante jondo. Deep Song. A poem meant to be sung, not with a pretty voice but with a cry, to break the silence and stillness of the body. A rustic form of flamenco. A poem written to remind Spain of its deep musical soul, the primitive song of the Andalusian Gypsies. A poem by Federico Garca Lorca written in 1921 when he was only twenty-three and had but fifteen years left to live before the Franco regime murdered him in the hills of Granada.
Translator Ralph Angel returns to Lorca's strange, unique rhythms and to the irrational, intuitive duende. This incantatory translation, every bit as revolutionary as the original was almost a century before, reconfirms what Lorca said of this work, that it is "a slammer, a wavering emission of the voice . . . [that] makes the tightly closed flowers of the semitones blossom into a thousand petals."
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