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In one of the most unique memoirs of addiction ever published, Mötley Crüe's Nikki Sixx shares mesmerizing diary entries from the year he spiraled out of control in a haze of heroin and cocaine, presented alongside riveting commentary from people who were there at the time, and from Nikki himself.
When Mötley Crüe was at the height of its fame, there wasn't any drug Nikki Sixx wouldn't do. He spent days -- sometimes alone, sometimes with other addicts, friends, and lovers -- in a coke and heroin-fueled daze. The highs were high, and Nikki's journal entries reveal some euphoria and joy. But the lows were lower, often ending with Nikki in his closet, surrounded by drug paraphernalia and wrapped in paranoid delusions.
Here, Nikki shares those diary entries -- some poetic, some scatterbrained, some bizarre -- and reflects on that time. Joining him are Tommy Lee, Vince Neil, Mick Mars, Slash, Rick Nielsen, Bob Rock, and a host of ex-managers, ex-lovers, and more.
Brutally honest, utterly riveting, and shockingly moving, The Heroin Diaries follows Nikki during the year he plunged to rock bottom -- and his courageous decision to pick himself up and start living again.
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The project that captured a nation's imagination.
The instructions were simple, but the results were extraordinary.
"You are invited to anonymously contribute a secret to a group art project. Your secret can be a regret, fear, betrayal, desire, confession, or childhood humiliation. Reveal anything -- as long as it is true and you have never shared it with anyone before. Be brief. Be legible. Be creative."
It all began with an idea Frank Warren had for a community art project. He began handing out postcards to strangers and leaving them in public places -- asking people to write down a secret they had never told anyone and mail it to him, anonymously.
The response was overwhelming. The secrets were both provocative and profound, and the cards themselves were works of art -- carefully and creatively constructed by hand. Addictively compelling, the cards reveal our deepest fears, desires, regrets, and obsessions. Frank calls them "graphic haiku," beautiful, elegant, and small in structure but powerfully emotional.
As Frank began posting the cards on his website, PostSecret took on a life of its own, becoming much more than a simple art project. It has grown into a global phenomenon, exposing our individual aspirations, fantasies, and frailties -- our common humanity.
Every day dozens of postcards still make their way to Frank, with postmarks from around the world, touching on every aspect of human experience. This extraordinary collection brings together the most powerful, personal, and beautifully intimate secrets Frank Warren has received -- and brilliantly illuminates that human emotions can be unique and universal at the same time.
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Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.
Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane’s child's-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love. -
The award-winning PostSecret project's most profound and stunning postcards to date
For the past three years Frank Warren has invited people of all backgrounds and nationalities to send him creatively decorated postcards bearing secrets they have never before revealed. He has shared these PostSecrets on his award-winning blog, www.PostSecret.com, in an internationally traveling art exhibit, and in three electrifying books: the bestselling PostSecret, My Secret, and The Secret Lives of Men and Women.
Now, in his most extraordinary book yet, Warren again delves into our collective confessions, presenting a never-before-seen selection of provocative and moving PostSecrets. A Lifetime of Secrets lays bare our private fears, hopes, regrets, and desires, from people as young as eight and as old as eighty. From painful admissions of infidelity to breathtaking revelations and endearing sentiments, Warren's latest collection will shock and move readers of every age, revealing secrets that have haunted their creators for a lifetime.
Six PostSecrets from A Lifetime of Secrets
Here are six of the PostSecrets included in A Lifetime of Secrets, and never before seen online. Click on each image to see a larger version.






Frank Warren's Introduction to A Lifetime of Secrets
When I told my father I was collecting secrets from strangers for an art project, he didn’t know what to think. I tried to explain how the thousands of secrets that had been mailed to me were more than mere confessions. They could be beautiful, funny, sorrowful, inspiring.
"But, Frank," he asked, "why are you soliciting secrets from strangers, and why would anyone tell you a real secret?"
I invited my father to fly out for a PostSecret art exhibit in Washington, D.C., where hundreds of the postcards were on display. More than 15,000 people came to see the secrets, and my father was there, day after day, to hear many of their transformative stories. Some people told me they recognized a hidden part of themselves on a stranger’s postcard. Others shared personal experiences of how talking about a painful secret had helped heal a lifelong relationship.
The exhibit came to an end and I took my father back to the airport to catch a red-eye flight home. During our drive we passed through a long dark stretch of highway when my father broke the silence by asking me, "Do you want to know my secret?" He bravely recounted a traumatic childhood experience. When he finished, we had a true talk that gave me a richer understanding of my father and recast our relationship.
• • •
For A Lifetime of Secrets, the fourth PostSecret book, I've selected postcards that show how secrets can reveal a momentary impulse or haunt us for decades and arranged them by age to follow the common journey we all take through childhood, adolescence, adulthood, maturity. Stretched over a full lifespan, the secrets expose the meaningful ways we change over time, and the surprising ways we don't.
The postcards narrate childhood stories that have never been spoken; they voice the guarded confessions of our parents and grandparents. They confirm that our rich interior lives are not defined by how old we are, and that with aging comes not only loss but also the possibility of grace and wisdom.
The following two secrets arrived in my mailbox the same week. The postmarks on each card were different, but when I posted them together on the PostSecret website (www.postsecret.com) they seemed as though they could have been written by the same person at two different points in her life.
I am a junior in high school. I have good friends and a loving family. I am smart. I am a good athlete and musician. But I would trade all that in if it meant I would be beautiful.
I spent my high school years believing I was UGLY. I just went through a photo album that had pictures of me over the last 20 years. Turns out I was/am kind of cute. No more wasting time on thinking otherwise.
• • •When I give PostSecret presentations at college campuses, my hope is that people I have never met will be inspired to change their lives through the secrets and stories being shared. Not long ago, at one of my talks, it was my life that was changed, and the secret that inspired me came from a stranger in the front row.
I began my presentation by handing out blank postcards to everyone in the auditorium. I invited each person to anonymously write down a secret on a card and then pass it on. For the next hour, the postcards circulated and were read silently multiple times. At the end of my talk, I asked if anyone would like to stand and read the secret they were holding at that moment. A man in the front row stood up and haltingly read:
I wish I could apologize to my younger brother for the way I treated him growing up.
He sat down and exchanged a long look with the young man next to him. After more volunteers read aloud some of the other secrets that had been passed around, I collected all the cards. The man in the front row handed me the postcard he had read from, and the two men walked out together.His postcard was blank.
I have witnessed many times how the courage of sharing a secret can be contagious. When I realized that the man had been pretending to read someone else’s secret and that the person he had left with was likely his brother, I was inspired.
Growing up, I was not an ideal older brother. As an adult, I have wished for an opportunity to apologize for some of my actions but did not want to open old wounds. I have not shared this secret with my brother . . . until now.
--Frank Warren
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Banksy, Britain's now-legendary "guerilla" street artist, has painted the walls, streets, and bridges of towns and cities throughout the world. Not only did he smuggle his pieces into four of New York City's major art museums, he's also "hung" his work at London's Tate Gallery and adorned Israel's West Bank barrier with satirical images. Banksy's identity remains unknown, but his work is unmistakable—with prints selling for as much as $45,000.
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"From a New York Times, BusinessWeek, and Washington Post bestselling author comes a first-of-its- kind career guide for a new generation of job seekers.There's never been a career guide like it.the fully illustrated story (ingeniously told in Manga form) of a young Everyman just out of college who lands his first job. Johnny Bunko is new to parachute company Boggs Corp., and he stumbles through his early days as a working stiff until a crisis prompts him to find a new job. Step by step he builds a career, illustrating as he does the six core lessons of finding, keeping, and flourishing in satisfying work: There is no plan ,Forget about your weaknesses, Persistence trumps talent, It's not about you ,Make excellent mistakes, Leave an imprintSmart, engaging, and insightful, The Adventures of Johnny Bunko offers practical advice for anyone looking to start a rewarding career."
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A Caldecott medalist demonstrates how to draw a whole zooful of different animals, from ladybugs and frogs to gorillas and elephants, using simple shapes and easy techniques. Reprint. AB.
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“Deliciously drawn (with fragments of collage worked into each page), insightful and bubbling with delight in the process of artistic creation. A+” —SalonHow do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry’s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry’s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: “The ordinary is extraordinary.”
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Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.
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When it comes to pleasure, size doesn't matter; as we all know it s quality, not quantity, that counts. But let's admit it: a big penis is undeniably compelling. Big shoulders, big lapels, and big hair may come and go, but the big penis never goes out of fashion. With those possessing more than 8 inches (20 cm) making up less than 2% of the world's population, this rare accessory will always fascinate.
In The Big Penis Book we explore the centuries-old fascination with the large phallus, a fascination common to men and women alike. This hefty book is profusely illustrated with over 400 historic photos of spectacular male endowments, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s, when the sexual revolution first freed photographers to depict the male entirely nude. Photographers include Bob Mizer of Athletic Model Guild, David Hurles of Old Reliable, Colt, Falcon, Sierra Domino, Third World, and Champion Studios, with each of these iconic photographers interviewed or profiled, along with information about each of their models. And if this isn t enough, the book closes with a special surprise comparable to the Guinness Book of Records Norma Stitz featured in The Big Book of Breasts! Can you guess what body part Dian is dissecting next? -
•A best-seller for 35 years
• A timeless classic that has taught generations of artists—and will teach generations more
When it was originally published in 1970, How to Draw What You See zoomed to the top of the publisher’s best-seller list—and it has remained there ever since. "I believe that you must be able to draw things as you see them—realistically," wrote Rudy de Reyna in this introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. How to Draw What You See shows artists how to recognize the basic shape to draw the object, no matter how much detail it contains.
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"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."
--from the IntroductionArt & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves.
This is not your typical self-help book. This is a book written by artists, for artists -- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone-now enhanced by internet posting-has placed it among the best-selling books on artmaking and creativity nationally.
Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies.
An excerpt:
Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...
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This innovative approach -- blending practicality and creativity -- is now in full-color!
From translating the vision of a CEO and conducting research, through designing a sustainable identity program and building online branding tools, Designing Brand Identity helps companies create stronger brands by offering real substance. With an easy-to-follow style, step-by-step considerations, and a proven, universal five-phase process for creating and implementing effective brand identity, the book offers the tools you need, whether a brand manager, marketer, or designer, when creating or managing a brand. This edition includes a wealth of full-color examples and updated case studies for world-class brands such as BP, Unilever, Citi, Tazo Tea, and Mini Cooper.
Alina Wheeler (Philadelphia, PA) applies her strategic imagination to help build brands, create new identities, and design brand-identity programs for Fortune 100 companies, entrepreneurial ventures, foundations, and cities.
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Adapted from the bestselling grassroots history of the United States, the story of America in the world, told in comics form Since its landmark publication in 1980, A People’s History of the United States has had six new editions, sold more than 1.7 million copies, become required classroom reading throughout the country, and been turned into an acclaimed play. More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up.
Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.
Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form. -
In Stradivari’s Genius, Toby Faber charted the fascinating course of some of the world’s most prized musical instruments. Now, in this enthralling new book, he tells the story of objects that are, to many, the pinnacle of the jeweler’s art: the Fabergé imperial eggs.
The Easter presents that Russia’s last two czars gave to their czarinas have become synonymous with privilege, beauty, and an almost provocative uselessness. They are perhaps the most redolent symbols of the old empire’s phenomenal craftsmanship, of the decadence of its court, and of the upheavals that brought about its inevitable downfall. Fabergé’s Eggs is the first book to recount the remarkable story of these masterpieces, taking us from the circumstances that inspired each egg’s design, through their disappearance in the trauma of revolution, to their eventual reemergence in the global marketplace.
In 1885, Carl Fabergé created a seemingly plain white egg for Czar Alexander III to give to his beloved wife, Marie Fedorovna. It was the surprises hidden inside that made it special: a diamond miniature of the Imperial crown and a ruby pendant. This gift began a tradition that would last for more than three decades: lavishly extravagant eggs commemorating public events that, in retrospect, seem little more than staging posts on the march to revolution. Above all, the eggs illustrate the attitudes that would ultimately lead to the downfall of the Romanovs: their apparent indifference to the poverty that choked their country, their preference for style over substance, and, during the reign of Nicholas II, their all-consuming concern with the health of the czarevitch Alexis, the sickly heir to the throne–a preoccupation that would propel them toward Rasputin and the doom of the dynasty.
More than a superb new account of a classic tragedy, Fabergé’s Eggs illuminates some fascinating aspects of twentieth-century history. The eggs’ amazing journey from revolutionary Russia features a cast of characters including embattled Bolsheviks, acquisitive British royals, eccentric artifact salesmen, and such famous business and society figures as Arm and Hammer, Marjorie Merriweather Post, and Malcolm Forbes. Finally, Toby Faber tantalizingly suggests that some of the eggs long thought lost may eventually emerge.
Darting from the palaces of a besieged Russia to the showcases of New York’s modern mega-wealthy, Fabergé’s Eggs weaves a story unparalleled in its drama and extravagance.
Praise for Stradivari’s Genius
“Fascinating . . . lively . . . more enthralling, earthy and illuminating than any fiction could be.”
–The New York Times Book Review
“A celebration of six instruments and the master craftsman who made them . . . [Faber] brings to the subject an infectious fascination with Stradivari’s life and trade. . . . He writes with clarity and fluency.”
–Chicago Tribune
“An extraordinary accomplishment and a compelling read. Like strange totems that cast an irresistible spell, these instruments bring out the best and the worst of those who would own them, and Faber deftly tells the stories in all their rich and surprising detail.”
–Thad Carhart, author of The Piano Shop on the Left Bank
“A worthy contribution to the ongoing legend of Stradivari.”
–Minneapolis Star Tribune
“Fascinating, accessible, and enjoyable.”
–Tracy Chevalier, author of Girl with a Pearl Earring -
From airplanes and alligators to castles, cabooses, wheelbarrows, and witches, Ed Emberley shows children one way to draw more than 400 different things--so they can create a world of their own on paper. Full-color.
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