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Books : Literature & Fiction : Authors, A-Z : ( M ) : Michaels, Barbara
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It begins as a lark -- a harmless diversion initiated by Washington, D.C., hostess Ruth Bennett as a means of entertaining her visiting niece, Sara. But the séance conducted in Ruth's elegant Georgetown home calls something back; something unwelcome ... and palpably evil. Suddenly Sara is speaking in a voice not her own, transformed into a miserable, whimpering creature so unlike her normal, sensible self. No tricks or talismans will dispel the malevolence that now plagues the inhabitants of this haunted place -- until a dark history of treachery, lust, and violence is exposed. But the cost might well be the sanity and the lives of the living.
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The last of an ancient Cornish clan, Carla Tregellas has inherited her historic ancestral home: a massive mansion looming high up on the jagged cliffs of Cornwall. From the moment Carla takes possession of the grand manor she feels right at home, warmly welcomed by everyone—except the strange and secretive housekeeper, Mrs. Pendennis, who warns the new owner of the tragic, inevitable fate that will surely befall her if she does not depart at once. But Carla cannot leave, for the unseen bonds of a dark family curse are beginning to tighten . . . and a demon lover waits.
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Meg Venturi never expected the windfall she inherits when her grandfather dies. For some unknown reason the eccentric old millionaire has left her his profitable antique jewelry business. But there is a catch. Meg must share the business with an aloof, mysterious, and somewhat sinister young man called A. L. Riley. The town is whispering about her enigmatic new partner. Rumors spread about unspoken secrets, a dark and disturbing legacy . . . and murder. Soon a series of troubling events has Meg looking uncomfortably over her shoulder. The longer she stays in this tiny New England village the clearer two very troubling truths become: that all that glitters is definitely not gold . . . and that someone will stop at nothing to drive her away.
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Meg Rittenhouse fears she is losing her mind. The doctors tell her the strange and disturbing hallucinations she's been experiencing ever since her accident are all in her head, and that, with a little rest, the haunting visions will vanish. But accepting an invitation to stay with her cousin in the country may be the worst decision Meg has ever made. Here, in a remote old house miles from anywhere, the terrible sights and sounds have gotten even worse. Suddenly eerie black shapes dance in the shadows—mocking Meg, haunting her . . . threatening her. And the presence of kind, considerate Andy Brenner, the caretaker, both reassures her and terrifies her—because Andy also sees these dark specters . . .
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Meeting the sinister and disfigured Gavin Hamilton, Demaris Gordon is horrified when she realizes that she has no choice but to accept employment from him despite her fears about the accidents that have plagued members of his family. Reprint.
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Ada and Harriet don't know what to expect when they meet their new guardian, Mr. Wolfson. Here is a strangely magnetic, darkly amusing man confined to a wheelchair and flanked by a pair of fierce, dangerous dogs an enigmatic benefactor, at once welcoming and intimidating. Even more unsettling to the girls are Wolfson's two sons, Julian and Francis. One of them is warm and good-natured, the other is pure malevolence. But young Harriet is about to discover a frightening truth: that evil runs rampant throughout their mysterious new home, Abbey Manor, and the surrounding moors especially when the moon comes out . . .
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A stranger has come to Middleburg, Maryland, a visitor from abroad with a mysterious purpose. But this quaint, affluent community has dark secrets of its own. And when the interloper, Peter Stewart, becomes involved with the bewitching, seductive ward of noted local author Kate More, the townfolk fear the chilling past they are hiding will no longer be safe. For Middleburg has a colonial history of malevolent sorceries and obscene sacrifice. And when the terrible pot is stirred, murder may be the least of the evils to emerge from the unholy brew.
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Sandy had been lured to the Greek island of Thera by a father she had never known, an archaeologist scorned for his obsession with Atlantis. Now, as the island's slumbering volcano came back to life, a terrifying power drew Sandy deep into the fathomless waters of her heritage, destiny and doom.
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Devastated by her husband's death, Kathy Malone has traveled to his childhood home, hoping to come to terms with the recent tragedy. Here in the beautiful rolling hills of Tuscany, she seeks solace—and discovers something sinister instead. Befriending a lonely boy named Pietro—accepting the chilly hospitality of the aristocratic Contessa Morandini—Kathy begins to uncover the pieces of an ominous puzzle and hints of a deadly obsession. And now she has stumbled upon a murderous plot that could cost Kathy her life—for it was meant to stay hidden . . . forever.
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By the light of a gilded moon, a mysterious black rainbow framed the huddled towers of Grayhaven Manor, a vision of ominous beauty that seemed to warn Megan O'Neill of a darkness within. As the estate's new governess, her apprehensions were banished by the welcome of the Mandeville family. But Megan's growing obsession for her handsome employer blinds her to the terrifying truth of Grayhaven.
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Andrea Torgesen is certain that hard work is exactly what her younger brother Jim needs to help him recover from the trauma of a serious car accident—and turning a decrepit old mansion into a beautiful country inn seems to be the perfect project. But unearthly voices and eerie visions haunt Jim from almost the first instant he sets foot in the dreary old house. And his strange obsession with a long-neglected graveyard is most troubling to his concerned sibling. There is evil in this place where the unthinkable is possible—a terrifying force that Andrea and Jim must confront . . . or forfeit their lives.
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Everywhere she turns, Linda Randolph hears voices: from empty dark corners and lonely rooms. But it is the house itself that speaks the loudest, telling Linda to run for her life. Her husband, Gordon, the noted statesman and scholar, suggests she's losing her mind. Linda almost hopes it's true, because the alternate explanation is too terrible to contemplate: that Gordon is intimately involved with dark, diabolical forces beyond the scope of the natural and rational. Either Linda Randolph is half-mad ... or her husband is pure evil.
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