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Books : Literature & Fiction : Authors, A-Z : ( P ) : Polidori, John
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John Polidori's classic tale "The Vampyre"(1819), was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. The present volume selects thirteen other tales of mystery and the macabre, including the works of James Hogg, J.S. LeFanu, Letitia Landon, Edward Bulwer, and William Carelton. The introduction surveys the genesis and influence of "The Vampyre" and its central themes and techniques, while the Appendices contain material closely associated with its composition and publication, including Lord Byron's prose fragment "Augustus Darvell."
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A young Englishman traveling on the Continent with the mysterious Lord Rutven comes to realize that his companion is an evil and murderous vampire.
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Three classic works of vampire literature come together for the first time in one volume. Complementing the complete texts are background essays as well as additional selections by the three authors and others. Because the vampire novel has proven so influential in film, an extensive filmography is included.
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Full texts Castle of Otranto, Walpole; Vathek, Beckford; The Vampyre, Polidori; Fragment of a Novel, Lord Byron.
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In the early 1800s, young British aristocrat Aubrey travels through Italy and Greece in the company of the mercurial and fantastic Lord Ruthven. Later, he believes his friend to have been mysteriously slain. But when Ruthven returns from the dead to prey on his sister, he realizes that the enigmatic stranger is none other than a vampire!
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The weather went from being beautiful to tempestuous: torrential thunderstorms plagued the Shelleys, Byron and Polidori. The weather -- along with the company and the eerie ambiance of the locale -- contributed to the genesis of _Frankenstein,_ Polidori's "The Vampyre," and, in all likelihood, modern weird fiction. On the night of June 16th, the group read aloud a collection of German ghost stories, _The Fantasmagoriana._ This inspired Byron to challenge the group to write a ghost story. Shelley wrote an forgettable story; Byron wrote a story fragment; and Polidori began the "The Vampyre", the first modern vampire tale.
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A young Englishman traveling on the Continent with the mysterious Lord Rutven comes to realize that his companion is an evil and murderous vampire.
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In 1816, John William Polidori travelled to Geneva as Lord Byron's personal physician. There they met Mary Godwin (later Shelley) and her lover Percy Shelley and decided to while away a wet summer by writing ghost stories. The only two to complete their stories were Mary Shelley, who published Frankenstein in 1818, and Polidori, whose The Vampyre and Ernestus Berchtold were both published in 1819.
The Vampyre, based on a discarded idea of Byron's, is the first portrayal of the alluring vampire figure familiar to readers of Bram Stoker and Anne Rice. Ernestus Berchtold scandalously draws on the rumours of Byron's affair with his half-sister for a Faustian updating of the myth of Oedipus, which it combines with an account of the struggle of Swiss patriots against the Napoleonic invasion.
Along with Polidori's work, this edition also includes stories read and written by the travellers in the Genevan summer of 1816 and contemporary responses to The Vampyre and Ernestus Berchtold.
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This classic large print title is printed in 16 point Tiresias font as recommended by the Royal National Institute for the Blind
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A fascinating but shadowy figure of Romanticism, John Polidori was the sensitive but fierce writer behind one of literature's most notorious characters—the vampyre. This short story reveals the seductive figure of evil, who continues to exert a powerful influence over popular culture and who cemented Polidori's status within the Gothic tradition. This collection also makes available many of Polidori's lesser-known and hard-to-find works, including a medical thesis on nightmares, an essay on the source of pleasures, poetry and personal diaries, and the novel Modern Oedipus. These works combine to help illuminate and deepen the reader's understanding of Romanticism and the Gothic.
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