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Books : Literature & Fiction : World Literature : United States : Classics : Fitzgerald, F. Scott
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Fitzgerald’s second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald’s intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, “Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe—when he cuts himself, you will bleed.”
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Featuring 19 of the finest works in the American short-story tradition, this compilation includes: "The Tell-Tale Heart" by Edgar Allan Poe, "Bartleby" by Herman Melville, "To Build a Fire" by Jack London, "Bernice Bobs Her Hair" by F. Scott Fitzgerald, "The Killers" by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others.
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Today, F. Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted (and best-paid) writers of stories and novellas. In The Short Stories of F. Scott Fitzgerald, Matthew J. Bruccoli, the country's premier Fitzgerald scholar and biographer, assembles a sparkling collection that encompasses the full scope of Fitzgerald's short fiction. The forty-three masterpieces range from early stories that capture the fashion of the times to later ones written after the author's fabled crack-up, which are sober reflections on his own youthful excesses. Included are classic novellas, such as "The Rich Boy," "May Day," and "The Diamond as Big as the Ritz," as well as a remarkable body of work he wrote for the Saturday Evening Post and its sister "slicks." These stories can be read as an autobiographical journal of a great writer's career, an experience deepened by the illuminating introductory headnotes that Matthew Bruccoli has written for each story, placing it in its literary and biographical context.Together, these forty-three stories compose a vivid picture of a lost era, but their brilliance is timeless. As Malcolm Cowley once wrote, "Fitzgerald remains an exemplar and archetype, but not of the 1920s alone; in the end he represents the human spirit in one of its permanent forms." This essential collection is ample testament to that statement, and a monument to the genius of one of the great voices in the history of American literature.
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The mysterious Jay Gatsby embodies the American notion that it is possible to redefine oneself and persuade the world to accept that definition. Gatsby’s youthful neighbor, Nick Carraway, fascinated with the display of enormous wealth in which Gatsby revels, finds himself swept up in the lavish lifestyle of Long Island society during the Jazz Age. Considered Fitzgerald’s best work, The Great Gatsby is a mystical, timeless story of integrity and cruelty, vision and despair. Now available unabridged on CD, Alexander Scourby delivers Fitzgerald’s story in “one of the finest readings ever recorded” (The New York Times). “[Fitzgerald’s] talent was as natural as the pattern that was made by the dust on a butterfly’s wings.” — Ernest Hemingway
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The Great Gatsby, F. Scott Fitzgerald's portrait of the Jazz Age in all its decadence and excess, is, as editor Maxwell Perkins praised it in 1924, "a wonder." It remains one of the most widely read, translated, admired, imitated and studied twentieth-century works of American fiction.
This deceptively simple work, Fitzgerald's best known, was hailed by critics as capturing the spirit of the generation. In Jay Gatsby, Fitzgerald embodies some of America's strongest obsessions: wealth, power, greed, and the promise of new beginnings.
The recording includes a selection of letters written by Fitzgerald to his editor, Maxwell Perkins, his agent, Harold Ober, and friends and associates, including Willa Cather, H.L. Mencken, John Peale Bishop and Gertrude Stein.
Performed by Tim Robbins
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Cecilia Brady, the daughter of a great motion-picture producer, reminisces about events that began five years earlier when she was an undergraduate at Bennington College, starting with a flight home to Hollywood on a plane whose other passengers included Wylie White, a script writer down on his luck, Manny Schwartz, once an influential producer, and Monroe Stahr, another producer and partner of Cecilia's father, Pat Brady. Cecilia is attracted to Stahr, and he turns to her at the very time that he has a falling out with her father. Each of the partners conceives the idea of murdering the other. On the way to New York to establish an alibi, Stahr repents and decides to revoke his orders that will result in Brady's death, but his plane crashes before he can carry out his new plan and Cecilia loses both her father and the man she loves. Even in its incomplete form, The Love of The Last Tycoon: A Western has achieved a reputation as the best Hollywood novel. When F. Scott Fitzgerald died in 1940 he had written seventeen of thirty projected episodes. In 1941 the "unfinished novel" was published in a text for general readers by Edmund Wilson under the title The Last Tycoon. For more than fifty years this edition has been the only one available. This critical edition of The Love of the Last Tycoon utilizes Fitzgerald's manuscript drafts, revised typescripts, and working notes to establish the first authoritative text of the work. This volume includes a detailed history of the gestation, composition, and publication of the novel; full textual apparatus with editorial notes; facsimiles of the drafts; and explanatory notes on topical allusions and historical references for contemporary readers. The reconstruction of Fitzgerald's plan for the thirteen unwritten episodes is particularly useful. F. Scott Fitzgerald's incomplete masterpiece is restored to its 1940 state, and thus made fully accessible for the first time.
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Today, F. Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted story writers. "The Curious Case of Benjamin Button," a witty and fantastical satire about aging, is one of his most memorable stories.In 1860 Benjamin Button is born an old man and mysteriously begins aging backward. At the beginning of his life he is withered and worn, but as he continues to grow younger he embraces life -- he goes to war, runs a business, falls in love, has children, goes to college and prep school, and, as his mind begins to devolve, he attends kindergarten and eventually returns to the care of his nurse.
This strange and haunting story embodies the sharp social insight that has made Fitzgerald one of the great voices in the history of American literature.
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A self-portrait of a great writer 's rise and fall, intensely personal and etched with Fitzgerald's signature blend of romance and realism.
The Crack-Up tells the story of Fitzgerald's sudden descent at the age of thirty-nine from glamorous success to empty despair, and his determined recovery. Compiled and edited by Edmund Wilson shortly after F. Scott Fitzgerald's death, this revealing collection of his essays—as well as letters to and from Gertrude Stein, Edith Wharton, T.S. Eliot, John Dos Passos—tells of a man with charm and talent to burn, whose gaiety and genius made him a living symbol of the Jazz Age, and whose recklessness brought him grief and loss. "Fitzgerald's physical and spiritual exhaustion is described brilliantly," noted The New York Review of Books: "the essays are amazing for the candor."
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Book Description
"The Curious Case of Benjamin Button" is one of F. Scott Fitzgerald's most memorable short stories. The protagonist, Benjamin Button, is born an old man and ages in reverse until he becomes a baby and then finally vanishes from the earth. In a short introduction to the story, Fitzgerald wrote: "This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's 'Note-books.'" The title story was the inspiration for the MAJOR MOTION PICTURE of the same name and remains one of Fitzgerald's most haunting and beautiful tales.Fitzgerald's talent for short fiction is on display in this selection of four of his finest tales, chosen from two collections: Flappers and Philosophers (1920) and Tales of the Jazz Age (1922). In addition to the title story are "Bernice Bobs Her Hair," a coming-of-age story about a daring young flapper; "The Jelly-Bean," a story of disillusionment and love lost; and "Dalyrimple Goes Wrong," a case of a character torn between self and society.
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A vision of a lost generation.
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Fitzgerald's second collection of short stories, Tales of the Jazz Age (1922), includes at least two masterpieces--"May Day" and "The Diamond as Big as the Ritz". This edition reproduces Tales of the Jazz Age in full, along with several uncollected stories from the early 1920s, including "Dice, Brassknuckles and Guitar", which closely anticipates the themes and characters of The Great Gatsby. James L.W. West III traces the textual history of the stories, and provides detailed historical notes and references.
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Written between 1920 and 1937, when F. Scott Fitzgerald was at the height of his creative powers, these ten lyric tales represent some of the author's finest fiction. In them, Fitzgerald creates vivid, timeless characters -- a dissatisfied southern belle seeking adventure in the north; the tragic hero of the title story who lost more than money in the stock market; giddy and dissipated young men and women of the interwar period. From the lazy town of Tarleton, Georgia, to the glittering cosmopolitan centers of New York and Paris, Fitzgerald brings the society of the "Lost Generation" to life in these masterfully crafted gems, showcasing the many gifts of one of our most popular writers.
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F. Scott Fitzgerald: A Life in Letters: A New Collection Edited and Annotated by Matthew J. Bruccoli
A vibrant self-portrait of an artist whose work was his life.In this new collection of F. Scott Fitzgerald's letters, edited by leading Fitzgerald scholar and biographer Matthew J. Bruccoli, we see through his own words the artistic and emotional maturation of one of America's most enduring and elegant authors. A Life in Letters is the most comprehensive volume of Fitzgerald's letters -- many of them appearing in print for the first time. The fullness of the selection and the chronological arrangement make this collection the closest thing to an autobiography that Fitzgerald ever wrote.
While many readers are familiar with Fitzgerald's legendary "jazz age" social life and his friendships with Ernest Hemingway, Gertrude Stein, Edmund Wilson, and other famous authors, few are aware of his writings about his life and his views on writing. Letters to his editor Maxwell Perkins illustrate the development of Fitzgerald's literary sensibility; those to his friend and competitor Ernest Hemingway reveal their difficult relationship. The most poignant letters here were written to his wife, Zelda, from the time of their courtship in Montgomery, Alabama, during World War I to her extended convalescence in a sanatorium near Asheville, North Carolina. Fitzgerald is by turns affectionate and proud in his letters to his daughter, Scottie, at college in the East while he was struggling in Hollywood.
For readers who think primarily of Fitzgerald as a hard-drinking playboy for whom writing was effortless, these letters show his serious, painstaking concerns with creating realistic, durable art.