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Books : Literature & Fiction : World Literature : United States : Poetry
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Edgar Allen Poe was born in 1809. Poe was a poet, author, and literary critic. He is one of the leading authors of the Romantic period. His tales of the macabre have delighted and scared readers. He is considered the founder of the detective/fiction genre and contributed to the popularity of science fiction. This collection contains Memoir, Poems of Later Life, Poems of Manhood, Scenes from Politian, Poems of Youth, Doubtful Poems, and Prose Poems. There are also three essays: The Poetic Principle, The Philosophy of Composition, and Old English Poetry.
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All the world is here.It is there.
It is everywhere.
All the world is right where you are.
Now.
Following a circle of family and friends through the course of a day from morning till night, this book affirms the importance of all things great and small in our world, from the tiniest shell on the beach, to warm family connections, to the widest sunset sky
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The poet in Whitman developed late and slowly while his early writings came only from the surface of his mind. But when he was scarcely in his teens he was publishing bits in Brooklyn papers and presently in George P. Morris's New York Mirror. At twelve he became an apprentice printer, the first occupation of a dozen writers who were more or less of Whitman's time. Whitman retained the interest in printing that he had acquired as a little boy standing on type-cases to reach the boxes. In old age he always knew "the easiest way out of printers' puzzles," as his disciple Horace Traubel said, and he watched his proofs with anxious eye, ready to add or omit a line in cases where a page struck him as too loose or crowded. He did not love his line "enough to let them spoil the page" he said, and once sacrificed nine for a blank space. He would send silver dollars with thanks to the proof takers for giving him clean dark proofs on paper that he liked. But while, in his boyhood, Whitman was a printer who was also beginning to write, his real occupation was absorbing impressions, historical impressions, among the rest, that attached him deeply from the first to the past and evolution of the country.
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Here in one volume are the complete texts of two of the greatest epic poems in English literature, each a profound exploration of the moral problems of God's justice. They demonstrate Milton's genius for classicism and innovation, narrative and drama-and are a grand example of what Samuel Johnson called his "peculiar power to astonish."
Edited by Christopher Ricks
With a New Introduction by Dr. Susanne Woods
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Dedicated to the daughter she never had but sees all around her, Letter to My Daughter reveals Maya Angelou’s path to living well and living a life with meaning. Here in short spellbinding essays are glimpses of the tumultuous life that taught Angelou lessons in compassion and fortitude: how she was brought up by her indomitable grandmother in segregated Arkansas, taken in at thirteen by her more worldly and less religious mother, and grew to be an awkward six-foot-tall teenager whose first experience of loveless sex paradoxically left her with her greatest gift, a son.
Whether she is recalling lost friends such as Coretta Scott King and Ossie Davis, extolling honesty, decrying vulgarity, explaining why becoming a Christian is a “lifelong endeavor,” or simply singing the praises of a meal of red rice, Maya Angelou writes from the heart to millions of women she considers her extended family.
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Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the groundbreaking essays and poems in this volume profoundly challenged how we think about identity. Borderlands/La Frontera remapped our understanding of what a "border" is, seeing it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us. This twentieth-anniversary edition features new commentaries from prominent activists, artists, and teachers on the legacy of Gloria Anzaldúa's visionary work.
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Inspired by the familiar lines from William Wordsworth, “To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears,” Evidence is a collection of forty-seven new poems on all of Mary Oliver’s classic themes. She writes perceptively about grief and mortality, love and nature, and the spiritual sustenance she draws from their gifts. Ever grateful for the bounty that is offered to us daily by the natural world, Oliver is attentive to the mysteries it imparts. The arresting beauty she finds in rivers and stones, willows and field corn, the mockingbird’s “embellishments” or the last hours of darkness permeates her poems. Her newest volume is imbued through and through with that power of nature to, in Oliver’s words, “excite the viewers toward sublime thought.”Never afraid to shed the pretense of academic poetry, never shy of letting the power of an image lie in unadorned language, Oliver is a skilled guide to the rarest and most exquisite insights of the natural world. “After a few hours in her quiet, exuberant presence,” writes Los Angeles Times columnist Susan Salter Reynolds, “one feels as though the raw sunlight in the room, the brightness of the water, the white wood and flashing wings outside the window are bleaching unimportant details from the day.” From one of America’s most loved and respected poets, this new volume plumbs the evidence of our most profound mysteries.
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Sailing Alone Around the Room, by America’s Poet Laureate, Billy Collins, contains both new poems and a generous gathering from his earlier collections The Apple That Astonished Paris, Questions About Angels, The Art of Drowning, and Picnic, Lightning. These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.
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David Wagoner writes about regular lives with plain grace and transcendent humanity, and the seventy-five poems he has chosen for the 2009 edition of The Best American Poetry grapple with life, celebrate freedom, and teem with imaginative energy. With engaging notes from the poets, Wagoner's superb introductory essay, series editor David Lehman's astute foreword about the current state of poetry and criticism, and cover art from the beloved poet John Ashbery, The Best American Poetry 2009 is a memorable and delightful addition to a series dedicated to showcasing the work of poets at their best.
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“Mary Oliver continues to tutor us in attention, gratitude, and reverence in this new collection of forty-seven poems.”—Frederick and Mary Brussat, Spirituality and Health
Praise for Owls and Other Fantasies:
“Mary Oliver is beautiful and accurate in this book of poetry and prose about birds…all rendered with the precision of a line-drawing of a single feather that puts the entire wing into perspective.” —Orion
Praise for Mary Oliver’s poetry:
“These are life enhancing and redemptive poems that coax the sublime from the subliminal.” —Sally Connolly, Poetry
“Mary Oliver’s poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight.” —May Swenson
“The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable” —Miami Herald